Pretty Woman is set in Los Angeles, mostly around Hollywood Boulevard, the Beverly Wilshire Hotel and Rodeo Drive in Beverly Hills, with one night at the San Francisco Opera.
This route follows Vivian and Edward's week in story order, from the Hollywood street where they meet to the opera house. Some scenes were filmed elsewhere, such as the Ambassador Hotel lobby and the Cicada dinner, and the stops say so.
In Gogol's Petersburg nothing is what it seems: the grandest street is a liar, a nose walks about in a state councillor's uniform, and a dead clerk tears coats off passers-by. Three of his stories share one city, and most of their stops can still be walked.
The route runs along Nevsky Prospekt and its neighbouring streets, from the painter's and the lieutenant's chases in Nevsky Prospekt, through The Nose's barber, cathedral, bridge, garden and shop, to the Kalinkin Bridge where the ghost of The Overcoat is said to prowl. A few stops are approximate, since Gogol seldom gives house numbers.
Jake Barnes, an American newspaperman wounded in the war, spends his Paris nights in the cafés of Montparnasse with Lady Brett Ashley — the woman he loves and cannot have. Then the whole crowd heads south: trout fishing in the Pyrenees, then a week of San Fermín in Pamplona, where drink, jealousy and a nineteen-year-old matador break everything open.
Hemingway built the novel from his own trips of 1924 and 1925, and almost every stop can still be visited: the café on the Boulevard du Montparnasse, the inn at Burguete, the arcade café on Pamplona's main square, the bullring, the beach at San Sebastián and the Madrid restaurant where the book's last meal is eaten.
