Washington Irving came to Granada in 1829 and ended up living in a palace of the Moorish kings. With a 17-year-old local guide named Mateo Ximenes at his elbow, he gathered the legends that became Tales of the Alhambra in 1832.
This route follows the book through six places: the gate with the magic hand and key, Irving's rooms, the Hall of Ambassadors, the Court of Lions, the Generalife and the Tower of the Princesses. Several tales are legend as much as history, so the pins mark the places where Irving tells them.
Clarín's novel hides Oviedo behind the name Vetusta, a provincial capital of gossip, piety and boredom where Ana Ozores, the Regenta, is slowly worn down. It begins with the Magistral watching the town through a telescope and ends with Ana fainting in his chapel.
The route follows seven scenes from the tower to the duel and the confessional, and ends at the modern statue of Ana. Spanish guides tie some scenes to real Oviedo; where they do not, the pin is approximate or absent.
Horacio Oliveira, in Paris, spends his nights walking the city with the Maga and the Club de la Serpiente, until a baby's death breaks the group apart. Then the novel moves to Buenos Aires: a circus, a psychiatric clinic and a window over a courtyard.
The route follows the book's real Paris places, from the Pont des Arts to the Montparnasse cemetery, then its Buenos Aires scenes. Most Paris stops come from the Rutas Cervantes literary route; the Buenos Aires ones are invented and unpinned.
Jorge Luis Borges is the writer who turned a library into a metaphor for the universe, yet his own life ran through very real places in Buenos Aires: a poor Palermo childhood, a basement library job, and eighteen years as director of the National Library.
This route follows him from his birthplace barrio and a famous café to the two library buildings he knew, with one fictional stop: the Calle Garay house where "The Aleph" sees everything at once.
Macondo is not on any map, but its author grew up on Colombia's Caribbean coast. Gabriel García Márquez was raised in Aracataca by grandparents who treated the extraordinary as perfectly natural, and that deadpan voice became the novel.
The route runs from Riohacha, where the Buendías begin, through the marsh and sierra country around Macondo to the railway, the banana company and the massacre, and ends in Mexico City, where the book was written. Macondo itself is fictional, so its stops are real stand-ins.
Lázaro, a hungry boy born in a river mill, serves a string of cruel masters on the roads of Spain. The picaresque classic is told in his own sly voice, and it lets a reader trace his path from the bridge in Salamanca to the streets of Toledo.
This route follows his early years: the stone bull, the grapes at Almorox, the revenge at Escalona, the miser priest at Maqueda and the squire's empty house in Toledo. Most places are named only as towns, so most pins are approximate.
Spain's oldest surviving epic poem follows Rodrigo Díaz, the Cid, from a humiliating exile out of Castile to the conquest of Valencia, and then to a trial in Toledo after his sons-in-law abandon his daughters.
The route runs from Vivar and Burgos through Cardeña and Valencia to Corpes and Toledo. The poem and the historical Cid differ in many details, and the site of Corpes is disputed.
Pushkin's only completed novel follows Pyotr Grinev, a young officer sent to a log-fenced fortress on the Orenburg steppe, where he falls in love with the captain's daughter Masha and crosses paths with Pugachev, the rebel who claims to be Emperor Peter III. The book is a romanticized account of Pugachev's Rebellion of 1773-1774, not a record of it.
The route follows the novel from besieged Orenburg through the Belogorsk fortress, Berda, Kazan, Tsarskoye Selo and Moscow. Each stop separates what Pushkin invented from what history records; Belogorsk exists only on the page, with the real fortress of Tatishchevo as its stand-in.
In Gogol's Petersburg nothing is what it seems: the grandest street is a liar, a nose walks about in a state councillor's uniform, and a dead clerk tears coats off passers-by. Three of his stories share one city, and most of their stops can still be walked.
The route runs along Nevsky Prospekt and its neighbouring streets, from the painter's and the lieutenant's chases in Nevsky Prospekt, through The Nose's barber, cathedral, bridge, garden and shop, to the Kalinkin Bridge where the ghost of The Overcoat is said to prowl. A few stops are approximate, since Gogol seldom gives house numbers.
Grigory Pechorin, bored and brilliant, drifts through the Caucasus leaving damage behind him: a smuggler's hut at Taman, the spa season at Pyatigorsk and Kislovodsk, and a duel on a cliff ledge. Lermontov wrote five linked tales and was himself killed in a duel at Pyatigorsk in 1841.
The route follows the book's order, from a snowy pass and a seaport to the spring, the harp pavilion and the rock gate where Pechorin plays his games, ending on Mashuk where the author met his own fate. Some pins mark real places that only stand in for the novel's.
In 1927 a former nobleman and a charming con man chase twelve dining chairs, one of them hiding family jewels, across the Soviet Union. Ilf and Petrov's comic novel follows them from a sleepy provincial town through Moscow and the Volga to the spa of Pyatigorsk, the Caucasus road and the Crimean coast.
The route marks six stops; Stargorod and Vasyuki are invented, so their pins are only candidate stand-ins.
Toru Watanabe, a drama student in late-1960s Tokyo, looks back on the years he spent between two women: Naoko, the fragile girlfriend of his dead best friend, and Midori, a classmate who is everything Naoko is not. Haruki Murakami's 1987 novel made him a superstar in Japan.
The route follows Watanabe across the city: his dormitory, a long Sunday walk by the moat, Naoko's apartment in Kokubunji, the campus, the streetcar to Midori's neighbourhood, a house at the edge of Kichijōji and the platform at Ueno. Murakami drew on his own student years, but the novel's dormitory and university are invented, so those two pins mark real stand-ins.
A stranger who looks foreign joins two writers at Patriarch's Ponds, predicts a death, and Moscow's strangest spring begins. In Bulgakov's novel the devil, as Woland, visits Soviet Moscow with a retinue that includes the cat Behemoth and the henchman Azazello, while Margarita bargains with him for the Master.
The route follows the Moscow chapters in order: the ponds where it all starts, a writers' club, a haunted flat, a stage show, a flight of revenge, a ball, a terrace beside the Kremlin and a farewell on the Sparrow Hills. Several places are invented or only inspired by real ones, and each stop says which.
On an exceptionally hot July evening a student leaves a garret "more like a cupboard than a room" and counts exactly 730 steps to a pawnbroker's door. Dostoevsky's novel plays out in the Hay Market slums, on the canal and on the bridges of the Neva, and he hid many addresses behind initials such as "S. Place" and "K. bridge".
This route follows Raskolnikov and Svidrigailov from the garret to the police office. The garret, the pawnbroker's house and the police office are researchers' identifications rather than facts, and are marked as such.
Tolstoy's huge novel carries its aristocratic families from the drawing rooms of 1805 into the wars against Napoleon, and its battlefields are among the most famous in fiction: a forgotten battery, a wounded prince staring at the sky, a civilian in a white hat on the wrong hill at the right moment.
The route follows the book from a Moscow house and a country estate through Schöngrabern and Austerlitz to 1812: Borodino, the council at Fili and Napoleon waiting on Poklonnaya Hill. Some stops are real places Tolstoy wrote about, others are real stand-ins for places that exist only in the novel; each says which. Dates follow the modern calendar, with Tolstoy's Old Style date noted where it differs.
Hemingway wrote A Moveable Feast about his poor, happy early years in 1920s Paris, working from notebooks he had left in trunks at the Ritz in 1928. It was published in 1964, after his death.
This route walks the memoir's Paris: the flat on the rue du Cardinal-Lemoine, Gertrude Stein's salon, Sylvia Beach's bookshop, the cafés of Montparnasse and Saint-Germain, and the Ritz where the notebooks resurfaced. Hemingway himself said the book may be read as imagination, so treat its scenes as a memory, not a record.
Huck Finn fakes his own murder and, with Jim, who has run away from slavery, takes a raft down the Mississippi. Their goal is Cairo, where Jim would be a free man the minute he saw it. They miss it in the fog and drift on into slave country, past a feud, two con men and a farm with the book's last twist.
Twain built St. Petersburg from his boyhood town of Hannibal. Most places in the novel are invented, so each pin marks a real landmark or stand-in, and the Grangerfords' country and Bricksville stay off the map.
Before the white whale there is a cold December and a wrong turn at the docks. Ishmael arrives in New Bedford to find the Nantucket packet gone, rents half a bed at the Spouter-Inn, sits through a sermon on Jonah, crosses to Nantucket and signs aboard the Pequod, which leaves on Christmas Day.
New Bedford had overtaken Nantucket as the country's top whaling port by 1840, yet Ishmael is set on sailing from the island. The route follows his first chapters. The inn, the Try Pots and the Pequod are invented, so their pins mark real places that stand in for them; the chapel is real.
Santiago, a shepherd boy from Andalusia, keeps dreaming of treasure at the Egyptian pyramids. A fortune-teller and a mysterious old king send him across the strait to Africa, where he is robbed in Tangier, falls in love at an oasis and crosses a desert of warring tribes. Paulo Coelho's 1988 fable has sold more than 150 million copies.
The route follows the boy from a ruined church to the Giza plateau and back again. The book keeps its geography loose, so most pins mark the best-known place for a scene rather than a spot the author names.
Netherfield Park is let at last, and Austen's novel follows Elizabeth Bennet from her family's village to a Kent parsonage and on to Derbyshire. The houses of the book are described rather than mapped, so this route follows the real places where the 2005 film and the 1995 BBC series found them.
Nine stops follow the story in order, from Longbourn to the inn at Lambton. Each pin is a real filming site standing in for a place in the book; only Gracechurch Street is the real London street the novel itself names.
Fitzgerald set The Great Gatsby on two invented peninsulas, West Egg and East Egg, but he built them from the Long Island he knew in Great Neck, where he lived from October 1922. Behind the glamour sit a dump, a station and a hotel suite that were all real.
This route follows Nick from the Eggs through the valley of ashes, Penn Station, the Queensboro Bridge and the Plaza Hotel. The Eggs, the valley and Gatsby's house are invented, so their pins mark the real places the novel is read against.
Hercule Poirot is on his way home to London when the Orient Express, fully booked and unusually crowded for the season, stops in a snowdrift in Yugoslavia with a murdered man aboard and the killer still on the train.
The route follows the story from Aleppo station through Istanbul, where Poirot gets his telegram and his berth, and Belgrade to the snowdrift near Vinkovci. It ends with the 1932 kidnapping that gave Christie her plot. Most pins are indicative: the novel names few exact places.
Agatha Christie's 1937 mystery puts Hercule Poirot on holiday in Aswan, waiting to board the Nile steamer Karnak. Among his fellow passengers are a jilted woman stalking her ex-fiancé's honeymoon, her former friend the heiress, and a boulder that comes uncomfortably close to the bride.
The route follows the steamer from Aswan to Wadi Halfa and ends at Karnak, where the 1978 film moves the falling stone. The novel itself puts that scene at Abu Simbel.
A cursed squire, a spectral hound and a moor that swallows ponies: Conan Doyle's Sherlock Holmes novel, serialised in The Strand Magazine in 1901–02, is set largely on Dartmoor, and several of its places have real counterparts.
The route runs from the grave that may have inspired the legend and the ten-thirty train from Paddington to the convict prison at Princetown, the mire, the tors and the Stapletons' house. Baskerville Hall and Merripit House exist only in the book, so their pins mark a stand-in or nothing at all.
