Oath brothers, a hermit strategist, a bridge held by one man and a battle on the Yangtze: the classic novel turns the fall of the Han dynasty into a saga of loyalty and cunning. This route follows Liu Bei from a peach garden to his deathbed.
The novel is fiction built on the Records of the Three Kingdoms. Each stop says what the novel tells, what the record says, and which places are linked to the story only by later tradition, such as the Zhuozhou temple and the disputed Red Cliffs.
On 6 August 1945 an atomic bomb was dropped on Hiroshima; three days later, another on Nagasaki. This route follows the two days on the ground, from the bridge that served as the aiming point to the places that survived or were rebuilt.
It starts in Hiroshima at Aioi Bridge, the hypocenter and the Dome, then moves to Nagasaki's hypocenter, cathedral and shrine, and ends with the two museums and parks built in 1955. Death tolls are estimates and are given as the ranges researchers publish.
Murasaki Shikibu's eleventh-century novel follows Prince Genji from the capital to exile on the Suma shore and, in its last ten chapters, to Uji. Many of its places are real shrines and temples that visitors can still enter.
The route runs by chapter, from Kitayama to Uji, then to the temples tied to the author. Chapters are fiction; the Ishiyama-dera writing story is tradition, and Rozan-ji is one scholar's identification.
Hitori Goto is a guitarist who loves music and can hardly talk to anyone. Her band, Kessoku Band, plays at a small live house in Shimokitazawa, and the story stays close to real music towns in Tokyo and Kanagawa.
This route follows the band from the stage that inspired STARRY to Hitori's home station and a summer day on Enoshima. Two venues are invented and modelled on real live houses; the pins mark those models.
The anime Hyouka is set in a fictional town, but its backdrops are real streets in Takayama, in the mountains of Gifu. The author's home town became the model, and the local tourism board publishes an official pilgrimage model course.
This route follows six places from the opening title to the final episode: the river and morning market, the school-route crossing, the Old Town, the library, the hill shrine and the festival shrine outside town. Where the story renames a place, the pin marks the real one.
Two of Mexico's best-known painters married in 1929 and spent decades making art in one city: she in the family house where she was born, he on the walls of its palaces.
The route runs from Frida's Blue House through Rivera's murals, the twin studio houses in San Ángel and the Trotsky house nearby, to the museum pyramid Diego built for his collection.
In July 1911 a Yale lecturer went looking for the last capital of the Incas and found Machu Picchu instead, guided by a Peruvian innkeeper and a farmer's young son.
The route follows the Yale Peruvian Expedition from Cusco down the Urubamba to the ruins, then on to Vitcos and Espíritu Pampa, where the real answer sat unrecognised. The city had already been visited locally, and Bingham's conclusion about it proved mistaken.
In 1819 Bolívar led an army from the flooded Llanos over the Páramo de Pisba, a pass 3,960 metres high that had been left unguarded because it seemed impassable. Weeks later he won at Boyacá and entered Santa Fe.
The route follows him from the Congress of Angostura through the freezing crossing, the standoff at Gámeza and the lancers' charge at Vargas Swamp to the Boyacá bridge and the capital. Several stops are approximate, since the sources name regions rather than exact spots.
In August 1492 three small ships slipped down the Río Tinto from Palos with a plan to reach the Indies by sailing west. By mid-March 1493 Columbus was back in Palos without his flagship, which had been wrecked off Hispaniola, but with captives, samples of gold and plants unknown in Europe.
The route follows the voyage in order: the friary where the plan found friends, a stopover in the Canaries, the first landfall in the Bahamas, the wrecked flagship and the fort of La Navidad, a storm-driven stop in Lisbon, the return to Palos and the report to the monarchs in Barcelona. The landfall island and the fort site are both debated, and the pins say so.
Jorge Luis Borges is the writer who turned a library into a metaphor for the universe, yet his own life ran through very real places in Buenos Aires: a poor Palermo childhood, a basement library job, and eighteen years as director of the National Library.
This route follows him from his birthplace barrio and a famous café to the two library buildings he knew, with one fictional stop: the Calle Garay house where "The Aleph" sees everything at once.
Macondo is not on any map, but its author grew up on Colombia's Caribbean coast. Gabriel García Márquez was raised in Aracataca by grandparents who treated the extraordinary as perfectly natural, and that deadpan voice became the novel.
The route runs from Riohacha, where the Buendías begin, through the marsh and sierra country around Macondo to the railway, the banana company and the massacre, and ends in Mexico City, where the book was written. Macondo itself is fictional, so its stops are real stand-ins.
Lázaro, a hungry boy born in a river mill, serves a string of cruel masters on the roads of Spain. The picaresque classic is told in his own sly voice, and it lets a reader trace his path from the bridge in Salamanca to the streets of Toledo.
This route follows his early years: the stone bull, the grapes at Almorox, the revenge at Escalona, the miser priest at Maqueda and the squire's empty house in Toledo. Most places are named only as towns, so most pins are approximate.
The novel was banned in the Soviet Union, so David Lean could not shoot his epic there. Instead he built Moscow in a field outside Madrid, turned the pine woods of Soria into the Urals and sent a second crew to the snows of Finland.
The route follows the story in order, from the dam of the frame story to the ice palace at Varykino, and shows where each scene was really filmed. Most pins mark general areas, not exact camera spots.
On New Year's Eve a Moscow surgeon goes to the bathhouse with his friends, wakes up in Leningrad and walks into a flat that looks exactly like his own. The Soviet classic that Russia still watches every 31 December starts as a joke about identical buildings and ends as a love story.
The route follows Zhenya's night from his new flat and the banya to the Leningrad airport, the identical building, and the station, then back to Moscow. The caveat: both the "Leningrad" and the "Moscow" houses were shot in the same Moscow district, and the story's street had been renamed years before.
In 1466 or 1468 a merchant from Tver set out down the Volga to trade around the Caspian Sea. He was robbed on the way, crossed Persia, sailed from Hormuz to India and wrote down what he saw in A Journey Beyond the Three Seas.
This route follows him from Tver through Derbent, Hormuz and the coast of India to Bidar, and home to Caffa on the Black Sea. Dates are debated, and most stops are marked by area only because his notes name towns rather than buildings.
In 1927 a former nobleman and a charming con man chase twelve dining chairs, one of them hiding family jewels, across the Soviet Union. Ilf and Petrov's comic novel follows them from a sleepy provincial town through Moscow and the Volga to the spa of Pyatigorsk, the Caucasus road and the Crimean coast.
The route marks six stops; Stargorod and Vasyuki are invented, so their pins are only candidate stand-ins.
Fionn mac Cumhaill is the hero of Irish legend who gained all knowledge by burning his thumb on a salmon, saved Tara from a fire-breather and, in folk tales, built the Giant's Causeway to reach a Scottish rival. His stories are tied to real hills, rivers and rocks, many of them still named for him.
The route follows his legend from the Boyne of his boyhood through Tara, the Hill of Allen, Slieve Gullion and Benbulben, then to the tall tales of Lough Neagh, the Causeway and Fingal's Cave. Nothing here is history: pins mark where tradition places each tale.
Sent out by King Eurystheus, Heracles must kill a lion that no arrow can pierce, a many-headed Hydra, and man-eating birds with bronze beaks, and also catch a hind that outruns arrows and a boar on a snowy mountain, and clean a stable of thirty years' dung without help.
This route follows the first six labours in their traditional order, from the fortress of Tiryns through Nemea, Lerna, Ceryneia, Erymanthos and Elis to Lake Stymphalia. The myth rarely names an exact spot, so most pins mark the place the tale is tied to, not a cave or a lair.
For eighteen months in 1860 and 1861, relays of light riders on fast horses carried letters 1,900 miles from the Missouri River to California. It took about ten days, was never profitable, and was made obsolete by the telegraph within a year and a half — yet it became one of the great legends of the Old West.
The route follows the mail west through eight places: the stables where the first rider set out, a surviving station in Kansas, Fort Kearny, Julesburg, the plains where Mark Twain saw a rider flash past his stagecoach, Utah, the Nevada desert and the terminus in Sacramento. Where legend (Buffalo Bill, Twain's eight days) outruns the record, the text says so.
On the night of 18 April 1775 Paul Revere was rowed across the Charles River, got a horse in Charlestown and rode west to warn John Hancock and Samuel Adams that British troops were on the move. He left three accounts of that night, and this route follows them rather than the poem.
It runs through nine places, from his house in North Square and the lanterns at Old North Church to the pasture in Lincoln where a British patrol stopped him, and on to Concord, which Samuel Prescott reached without him. Where a spot is only traditional, the stop says so.
In June 1867 the steamship Quaker City left New York on what Mark Twain called his "Great Pleasure Excursion", a chartered trip to Europe and the Holy Land. A newspaper, the Alta California, paid for his place in exchange for fifty articles, and those letters grew into The Innocents Abroad.
This route follows eight stops: the Wall Street pier, the Azores, Tangier, Milan, Athens, a palace garden near Yalta, Jerusalem and the Sphinx. Each is told through Twain's own scenes, from donkey rides and hotel bills to the places that stopped his jokes. Where he does not name a spot, the pin marks the nearest known place.
In December 1933, eighteen-year-old Patrick Leigh Fermor set off from the Hook of Holland to walk to Constantinople, carrying a few clothes, some letters of introduction, an anthology of English verse and a volume of Horace. He slept in barns and shepherds' huts, but gentry and aristocracy kept inviting him into their country houses. He wrote the journey up decades later in A Time of Gifts, Between the Woods and the Water and The Broken Road.
The route follows him through ten places the sources let us pin, from the Hook and a Stuttgart apartment to Melk, Vienna, Prague, the bridge into Hungary, an island on the Danube that now lies under water, Plovdiv and Istanbul. Many pins are approximate: the sources name a town, not the exact spot where he stood.
In June 1995 Cheryl Strayed, 26 and with no hiking experience, set out alone to walk 1,100 miles of the Pacific Crest Trail. Her memoir Wild reached No. 1 on the New York Times Best Seller list, and Reese Witherspoon played her in the 2014 film.
This route follows the hike north from the Mojave Desert to the Columbia River, using the memoir's outline and the film's best-known scenes. The film compresses and dramatises, so stops drawn from it say so, and pins mark areas rather than campsites.
In 1960 the novelist John Steinbeck fitted a pickup truck with a camper shell, named it Rocinante and set out from Long Island with his poodle, Charley. He wanted to see his country because he made his living writing about it, and his main question was what Americans are like today.
This route follows eight stops of the outer loop, from Sag Harbor through Maine, Niagara Falls and Minnesota to Montana, Yellowstone and Steinbeck's native Salinas Valley, then down to New Orleans. The book is a novelist's account: it has been challenged as partly fictionalised, so read the encounters as stories and the places as real.
