Pedro Almodóvar has shot the majority of his films in Madrid, and Madrid's tourism office lists the exact streets, bars and squares where his scenes happened.
The route follows eight filming spots in order of release, from the El Rastro bar of Labyrinth of Passion in 1982 to the Comendadoras square of Parallel Mothers in 2021, with one detour to Almagro in La Mancha for Volver.
Clarín's novel hides Oviedo behind the name Vetusta, a provincial capital of gossip, piety and boredom where Ana Ozores, the Regenta, is slowly worn down. It begins with the Magistral watching the town through a telescope and ends with Ana fainting in his chapel.
The route follows seven scenes from the tower to the duel and the confessional, and ends at the modern statue of Ana. Spanish guides tie some scenes to real Oviedo; where they do not, the pin is approximate or absent.
Horacio Oliveira, in Paris, spends his nights walking the city with the Maga and the Club de la Serpiente, until a baby's death breaks the group apart. Then the novel moves to Buenos Aires: a circus, a psychiatric clinic and a window over a courtyard.
The route follows the book's real Paris places, from the Pont des Arts to the Montparnasse cemetery, then its Buenos Aires scenes. Most Paris stops come from the Rutas Cervantes literary route; the Buenos Aires ones are invented and unpinned.
Macondo is not on any map, but its author grew up on Colombia's Caribbean coast. Gabriel García Márquez was raised in Aracataca by grandparents who treated the extraordinary as perfectly natural, and that deadpan voice became the novel.
The route runs from Riohacha, where the Buendías begin, through the marsh and sierra country around Macondo to the railway, the banana company and the massacre, and ends in Mexico City, where the book was written. Macondo itself is fictional, so its stops are real stand-ins.
Twenty years after a nuclear war, the survivors of Moscow live in the Metro, and a young man named Artyom must carry a warning from his home station across the whole network. The novel and the game built on it use real station names, so you can follow Artyom's trip on an ordinary city map.
The route runs from VDNKh in the north through Kitay-gorod, Paveletskaya and Kievskaya to the Ostankino Tower. The book and the game differ in places; where they do, the text says so. The library stop is a likely match, not a named place.
The novel was banned in the Soviet Union, so David Lean could not shoot his epic there. Instead he built Moscow in a field outside Madrid, turned the pine woods of Soria into the Urals and sent a second crew to the snows of Finland.
The route follows the story in order, from the dam of the frame story to the ice palace at Varykino, and shows where each scene was really filmed. Most pins mark general areas, not exact camera spots.
Andrei Tarkovsky's Zone, a fenced-off wilderness where a guide takes a writer and a professor toward a Room said to grant wishes, was largely shot around Tallinn, Estonia, among abandoned hydropower plants, a power station and an old chemical works.
This route follows the film's story through those places: the factory and power plant seen before the Zone, the gate, the river plants where the journey was shot, a highway bridge and the power station that smokes behind the final homecoming. Exact spots are often unrecorded, so most pins are approximate.
Pushkin's only completed novel follows Pyotr Grinev, a young officer sent to a log-fenced fortress on the Orenburg steppe, where he falls in love with the captain's daughter Masha and crosses paths with Pugachev, the rebel who claims to be Emperor Peter III. The book is a romanticized account of Pugachev's Rebellion of 1773-1774, not a record of it.
The route follows the novel from besieged Orenburg through the Belogorsk fortress, Berda, Kazan, Tsarskoye Selo and Moscow. Each stop separates what Pushkin invented from what history records; Belogorsk exists only on the page, with the real fortress of Tatishchevo as its stand-in.
Grigory Pechorin, bored and brilliant, drifts through the Caucasus leaving damage behind him: a smuggler's hut at Taman, the spa season at Pyatigorsk and Kislovodsk, and a duel on a cliff ledge. Lermontov wrote five linked tales and was himself killed in a duel at Pyatigorsk in 1841.
The route follows the book's order, from a snowy pass and a seaport to the spring, the harp pavilion and the rock gate where Pechorin plays his games, ending on Mashuk where the author met his own fate. Some pins mark real places that only stand in for the novel's.
In 1927 a former nobleman and a charming con man chase twelve dining chairs, one of them hiding family jewels, across the Soviet Union. Ilf and Petrov's comic novel follows them from a sleepy provincial town through Moscow and the Volga to the spa of Pyatigorsk, the Caucasus road and the Crimean coast.
The route marks six stops; Stargorod and Vasyuki are invented, so their pins are only candidate stand-ins.
Sound! Euphonium follows the Kitauji High School concert band, and its story is set in Uji, Kyoto.
The route follows Kumiko's commute on the Keihan Uji Line, crosses Uji Bridge, joins the Agata Festival and climbs Daikichiyama for the view of town. The school itself is fictional, so the route pins a real station in its place.
In 1960 the novelist John Steinbeck fitted a pickup truck with a camper shell, named it Rocinante and set out from Long Island with his poodle, Charley. He wanted to see his country because he made his living writing about it, and his main question was what Americans are like today.
This route follows eight stops of the outer loop, from Sag Harbor through Maine, Niagara Falls and Minnesota to Montana, Yellowstone and Steinbeck's native Salinas Valley, then down to New Orleans. The book is a novelist's account: it has been challenged as partly fictionalised, so read the encounters as stories and the places as real.
Toru Watanabe, a drama student in late-1960s Tokyo, looks back on the years he spent between two women: Naoko, the fragile girlfriend of his dead best friend, and Midori, a classmate who is everything Naoko is not. Haruki Murakami's 1987 novel made him a superstar in Japan.
The route follows Watanabe across the city: his dormitory, a long Sunday walk by the moat, Naoko's apartment in Kokubunji, the campus, the streetcar to Midori's neighbourhood, a house at the edge of Kichijōji and the platform at Ueno. Murakami drew on his own student years, but the novel's dormitory and university are invented, so those two pins mark real stand-ins.
A stranger who looks foreign joins two writers at Patriarch's Ponds, predicts a death, and Moscow's strangest spring begins. In Bulgakov's novel the devil, as Woland, visits Soviet Moscow with a retinue that includes the cat Behemoth and the henchman Azazello, while Margarita bargains with him for the Master.
The route follows the Moscow chapters in order: the ponds where it all starts, a writers' club, a haunted flat, a stage show, a flight of revenge, a ball, a terrace beside the Kremlin and a farewell on the Sparrow Hills. Several places are invented or only inspired by real ones, and each stop says which.
On an exceptionally hot July evening a student leaves a garret "more like a cupboard than a room" and counts exactly 730 steps to a pawnbroker's door. Dostoevsky's novel plays out in the Hay Market slums, on the canal and on the bridges of the Neva, and he hid many addresses behind initials such as "S. Place" and "K. bridge".
This route follows Raskolnikov and Svidrigailov from the garret to the police office. The garret, the pawnbroker's house and the police office are researchers' identifications rather than facts, and are marked as such.
Tolstoy's huge novel carries its aristocratic families from the drawing rooms of 1805 into the wars against Napoleon, and its battlefields are among the most famous in fiction: a forgotten battery, a wounded prince staring at the sky, a civilian in a white hat on the wrong hill at the right moment.
The route follows the book from a Moscow house and a country estate through Schöngrabern and Austerlitz to 1812: Borodino, the council at Fili and Napoleon waiting on Poklonnaya Hill. Some stops are real places Tolstoy wrote about, others are real stand-ins for places that exist only in the novel; each says which. Dates follow the modern calendar, with Tolstoy's Old Style date noted where it differs.
Huck Finn fakes his own murder and, with Jim, who has run away from slavery, takes a raft down the Mississippi. Their goal is Cairo, where Jim would be a free man the minute he saw it. They miss it in the fog and drift on into slave country, past a feud, two con men and a farm with the book's last twist.
Twain built St. Petersburg from his boyhood town of Hannibal. Most places in the novel are invented, so each pin marks a real landmark or stand-in, and the Grangerfords' country and Bricksville stay off the map.
Before the white whale there is a cold December and a wrong turn at the docks. Ishmael arrives in New Bedford to find the Nantucket packet gone, rents half a bed at the Spouter-Inn, sits through a sermon on Jonah, crosses to Nantucket and signs aboard the Pequod, which leaves on Christmas Day.
New Bedford had overtaken Nantucket as the country's top whaling port by 1840, yet Ishmael is set on sailing from the island. The route follows his first chapters. The inn, the Try Pots and the Pequod are invented, so their pins mark real places that stand in for them; the chapel is real.
Santiago, a shepherd boy from Andalusia, keeps dreaming of treasure at the Egyptian pyramids. A fortune-teller and a mysterious old king send him across the strait to Africa, where he is robbed in Tangier, falls in love at an oasis and crosses a desert of warring tribes. Paulo Coelho's 1988 fable has sold more than 150 million copies.
The route follows the boy from a ruined church to the Giza plateau and back again. The book keeps its geography loose, so most pins mark the best-known place for a scene rather than a spot the author names.
Nine years after a night in Vienna, Jesse is on a book tour in Europe when Céline walks into his reading in a Paris bookshop. He has an hour before his flight, and they spend it wandering the city. Richard Linklater's 2004 film plays in real time: the story lasts about as long as the film, roughly eighty minutes.
It was shot in 15 days across Paris, and its locations jump about more than the dialogue admits. This route follows the film's order from the Left Bank bookshop through the Marais and the east of the city to the Seine and a gated courtyard in the Faubourg Saint-Antoine.
Gil Pender is a screenwriter with a nostalgia problem, in Paris with a fiancée and her wealthy parents. Every night at midnight a 1920s car pulls up and carries him back to the 1920s, among the Fitzgeralds, Hemingway and the surrealists. By day he is stuck in 2010.
This route follows the film from Monet's garden at Giverny to Pont Alexandre III, with the stops placed from a film-locations guide: where the 1920s scenes are shot you can still sit, eat and shop today. The party and flea-market scenes are approximate.
A schoolgirl in Kyushu follows a stranger into an abandoned resort, opens a door that was meant to stay shut, and ends up chasing a cat across Japan, closing doors as she goes. Her last door stands in the hometown she lost to the 2011 tsunami.
The route follows her path in story order: Nichinan harbour, the Bungo-Mori roundhouse, Yawatahama port, a Kobe mountain, Ochanomizu and Hijiri Bridge in Tokyo, then Miyako and Orikasa Station in Iwate. The film is animated, so most pins mark places that Wikipedia says its scenes were modelled on, and the Kobe amusement park is disputed.
Netherfield Park is let at last, and Austen's novel follows Elizabeth Bennet from her family's village to a Kent parsonage and on to Derbyshire. The houses of the book are described rather than mapped, so this route follows the real places where the 2005 film and the 1995 BBC series found them.
Nine stops follow the story in order, from Longbourn to the inn at Lambton. Each pin is a real filming site standing in for a place in the book; only Gracechurch Street is the real London street the novel itself names.
Fitzgerald set The Great Gatsby on two invented peninsulas, West Egg and East Egg, but he built them from the Long Island he knew in Great Neck, where he lived from October 1922. Behind the glamour sit a dump, a station and a hotel suite that were all real.
This route follows Nick from the Eggs through the valley of ashes, Penn Station, the Queensboro Bridge and the Plaza Hotel. The Eggs, the valley and Gatsby's house are invented, so their pins mark the real places the novel is read against.