In the summer of 1983 a seventeen-year-old boy and a twenty-four-year-old American share a house in rural Lombardy: Elio Perlman, who reads too much and plays the piano too well, and Oliver, the graduate student his father hired for the summer. One long, hot, awkward season, and neither of them handles it gracefully. It ends with a telephone call and a boy by a fireplace; it was shot, almost scene by scene, in real places you can still stand in.
This route follows the filming from the Perlmans' villa at Moscazzano through Crema's piazza, a Roman villa on Lake Garda and a war memorial at Pandino, out to the meadow at Capralba where Elio makes his move, and then north for the last three days in Bergamo — the country's tallest waterfall, a pensione in the upper town, a drunken night outside Santa Maria Maggiore, and the small station south of Crema that stands in for Clusone. Principal photography ran from 9 May to the end of June 2016, and the villa is a private home, so a few stops are best seen from the street.
Michael Corleone brings his girlfriend Kay to his sister Connie's wedding at the family compound — and is pulled into a war that ends with him shooting Sollozzo and McCluskey, hiding out in Sicily, losing his Sicilian bride to a car bomb, and settling every score during his nephew's baptism.
Coppola shot the film on real locations around New York City and Sicily: the Staten Island house that played the compound, the Mott Street block of the Genco Olive Oil front, the villages of Savoca and Forza d'Agrò that play Corleone, the bar and church of Michael's courtship, the villa of the bombing, and the Little Italy cathedral of the baptism climax.
One night at Cruachan, Queen Medb of Connacht and her husband Ailill compare their riches and find them equal in all but one thing: Ailill owns a magnificent white-horned bull. Medb sets out to take an even finer one, the Brown Bull of Cooley, from Ulster, whose warriors are all laid low by an ancient curse. Only the seventeen-year-old Cú Chulainn stands in her way, holding off her army ford by ford, one champion a day.
The Táin Bó Cúailnge, "the Cattle Raid of Cooley", is the centrepiece of Ireland's Ulster Cycle, preserved in manuscripts from the 12th century on. Its storytellers loved explaining place-names, and many of its places are real and visitable. This route follows the raid from Connacht to Cooley and the bull's last journey home. Quotations are from Joseph Dunn's 1914 translation.
Saeed and Nadia fall in love in a city sliding into civil war. Then rumours spread of black doors that open somewhere else in the world, and the couple pay their way through one. Mohsin Hamid's 2017 novel skips the dangerous journeys refugees usually make and keeps only the arrivals: a Greek island, a mansion in London, the hills of northern California.
The doors are magic, but Hamid calls the book "geographically autobiographical": every stop is a place he has lived in or loved. The home city is never named, though he says it was based in many ways on Lahore, so that pin is speculative.
Barcelona, 1945. A bookseller leads his ten-year-old son Daniel through a dark alley off the Ramblas to the Cemetery of Forgotten Books, a secret library where every child may adopt one book. Daniel chooses a novel by Julián Carax — and discovers that someone has spent years hunting down and burning every other copy.
Carlos Ruiz Zafón's 2001 bestseller is a love letter to the old city, and its mystery runs through real streets: the Ramblas, the Gothic Quarter, the Ribera, Tibidabo and Montjuïc. The library, the bookshop, the hospice and the Aldaya mansion are invented, so those pins mark the streets where Zafón put them; the café, squares and castle are real and open to visitors.
Ifemelu and Obinze fall in love at secondary school in Lagos, in a Nigeria under military rule where everyone seems to be planning to leave. She gets a scholarship to Philadelphia; he, refused an American visa after 9/11, ends up working illegally in London. Over thirteen years in the United States Ifemelu discovers that she has become "black" — and writes a hit blog about it — before deciding to go home.
Chimamanda Ngozi Adichie's 2013 novel moves between real cities on three continents, and the route follows it in story order rather than in the book's flashback structure. Homes, salons and the university in Philadelphia are not identified, so most pins mark the city or campus.
In 1970s Kabul, Amir, the son of a rich merchant, and Hassan, the son of his father's Hazara servant, grow up as near-brothers and fly fighting kites together. In the winter of 1975 Amir wins the city's kite tournament — and fails Hassan at the moment Hassan needs him most. War sends Amir into exile in California; a phone call from Peshawar a quarter of a century later sends him back into Taliban Kabul to make amends.
Khaled Hosseini's 2003 debut follows real places in Afghanistan, Pakistan and California. Homes and alleys in the story are not identified, so those pins mark neighbourhoods; the route offers no travel advice for Afghanistan or Peshawar.
A young English solicitor travels to the Carpathians to sell a London house to a nobleman — and becomes his prisoner. The Count then ships himself to England in fifty boxes of earth, comes ashore in a Yorkshire storm and starts hunting in London, until a small band led by Professor Van Helsing chases him all the way back to his mountains.
Stoker never visited Transylvania; he built its geography from books and maps, and the English half from places he knew. The route follows the novel's diaries and letters stop by stop: the inn at Bistritz, the Borgo Pass, the Black Sea port of Varna, the harbour, steps and churchyard of Whitby, Purfleet on the Thames, London Zoo and the final race up the Danube at Galatz.
