Three provincial girls, a dormitory and a city that does not believe in tears: the Oscar-winning Soviet melodrama follows Katerina from a borrowed high-rise flat in 1958 to the director's chair twenty years later.
The route visits the places the film was shot or set, from the Kudrinskaya tower and Gogol Boulevard to the Klin factory and the round house of the final credits. Most pins mark the shooting location, not a scene's exact spot.
At 21, Jack London sailed north in July 1897 to join the Klondike gold rush. He came home without gold but with scurvy and the stories that made his name: The Call of the Wild, "To Build a Fire" and more.
This route follows him from the beach at Dyea over the Chilkoot Pass, down the lakes and rapids of the Yukon, through a winter at the Stewart River to Dawson City, where his cabin still stands.
On 16 September 1810 a parish priest in a small Mexican town called his parishioners to arms, and within weeks a vast, ill-armed army was marching on the capital. Miguel Hidalgo's revolt began Mexico's war of independence.
The route follows it from the plot in Querétaro and the Cry of Dolores through the storming of the Alhóndiga in Guanajuato, the near-miss at Mexico City and the defeat at Calderón Bridge, to the ambush in Coahuila and the execution in Chihuahua. Violence is part of the story and is named plainly.
Two of Mexico's best-known painters married in 1929 and spent decades making art in one city: she in the family house where she was born, he on the walls of its palaces.
The route runs from Frida's Blue House through Rivera's murals, the twin studio houses in San Ángel and the Trotsky house nearby, to the museum pyramid Diego built for his collection.
Jorge Luis Borges is the writer who turned a library into a metaphor for the universe, yet his own life ran through very real places in Buenos Aires: a poor Palermo childhood, a basement library job, and eighteen years as director of the National Library.
This route follows him from his birthplace barrio and a famous café to the two library buildings he knew, with one fictional stop: the Calle Garay house where "The Aleph" sees everything at once.
Twenty years after a nuclear war, the survivors of Moscow live in the Metro, and a young man named Artyom must carry a warning from his home station across the whole network. The novel and the game built on it use real station names, so you can follow Artyom's trip on an ordinary city map.
The route runs from VDNKh in the north through Kitay-gorod, Paveletskaya and Kievskaya to the Ostankino Tower. The book and the game differ in places; where they do, the text says so. The library stop is a likely match, not a named place.
On New Year's Eve a Moscow surgeon goes to the bathhouse with his friends, wakes up in Leningrad and walks into a flat that looks exactly like his own. The Soviet classic that Russia still watches every 31 December starts as a joke about identical buildings and ends as a love story.
The route follows Zhenya's night from his new flat and the banya to the Leningrad airport, the identical building, and the station, then back to Moscow. The caveat: both the "Leningrad" and the "Moscow" houses were shot in the same Moscow district, and the story's street had been renamed years before.
A retired detective with a fear of heights is hired to follow a friend's wife around San Francisco, because her husband fears she is possessed by Carlotta Valdes, a woman who died in 1857. Hitchcock's 1958 thriller was shot on location in San Francisco, at Mission San Juan Bautista, in Big Basin Redwoods State Park, at Cypress Point on 17-Mile Drive and at Paramount Studios in Hollywood.
This route follows the story in film order through nine places: a vanished restaurant, a Nob Hill apartment block, a mission cemetery and an art museum, a fort under the Golden Gate Bridge, a coastal kiss, a mission bell tower and a hotel with a green neon sign.
A young bear stows away from Peru, turns up at Paddington station and is taken in by the Brown family. Paul King's 2014 film follows him through a cosy London of antique shops and a gentlemen's club, while a taxidermist closes in.
Most of it was shot on real London streets. This route runs from the station to Primrose Hill, Portobello Road, Pall Mall and the Natural History Museum, with one caveat: the film's station front door is borrowed from Marylebone.
Gil Pender is a screenwriter with a nostalgia problem, in Paris with a fiancée and her wealthy parents. Every night at midnight a 1920s car pulls up and carries him back to the 1920s, among the Fitzgeralds, Hemingway and the surrealists. By day he is stuck in 2010.
This route follows the film from Monet's garden at Giverny to Pont Alexandre III, with the stops placed from a film-locations guide: where the 1920s scenes are shot you can still sit, eat and shop today. The party and flea-market scenes are approximate.
