Catalog
10 routes found
At 21, Jack London sailed north in July 1897 to join the Klondike gold rush. He came home without gold but with scurvy and the stories that made his name: The Call of the Wild, "To Build a Fire" and more. This route follows him from the beach at Dyea over the Chilkoot Pass, down the lakes and rapids of the Yukon, through a winter at the Stewart River to Dawson City, where his cabin still stands.
Oath brothers, a hermit strategist, a bridge held by one man and a battle on the Yangtze: the classic novel turns the fall of the Han dynasty into a saga of loyalty and cunning. This route follows Liu Bei from a peach garden to his deathbed. The novel is fiction built on the Records of the Three Kingdoms. Each stop says what the novel tells, what the record says, and which places are linked to the story only by later tradition, such as the Zhuozhou temple and the disputed Red Cliffs.
Sergio Leone's "spaghetti westerns" put the American West in southern Spain. Their Almería desert towns and the sets built for those films still stand. The route follows the desert and the white village of Los Albaricoques through three Leone films: A Fistful of Dollars, For a Few Dollars More and Once Upon a Time in the West. One stop lies over the border in Granada province.
Georgiy Daneliya's 1964 comedy follows one day in the life of Kolya, a night-shift metro builder who cannot stop helping people, and Volodya, a young writer just arrived from Siberia. From a dog bite on a boulevard to a farewell on a metro platform, the two zigzag across Moscow with a wedding, a record shop and a chase through a park on the way. The route follows the film in order through seven places, from Chistoprudny Boulevard to Universitet station. Some scenes were shot in a different street from the one the story names, and the text says where.
Ridley Scott's 2005 epic follows Balian, a French blacksmith turned Baron of Ibelin, from his village to Messina, Jerusalem, Kerak, the desert defeat at Hattin and the siege that ends the film. Every stop pairs a scene with the place where it was shot, or with the real place the scene stands for. The film was made in Spain and Morocco, not the Holy Land, so the route moves between sets and history. Where the film departs from the record, the stop says so: the historical Balian was a prominent lord of the Kingdom of Jerusalem, not a French artisan.
In December 1933, eighteen-year-old Patrick Leigh Fermor set off from the Hook of Holland to walk to Constantinople, carrying a few clothes, some letters of introduction, an anthology of English verse and a volume of Horace. He slept in barns and shepherds' huts, but gentry and aristocracy kept inviting him into their country houses. He wrote the journey up decades later in A Time of Gifts, Between the Woods and the Water and The Broken Road. The route follows him through ten places the sources let us pin, from the Hook and a Stuttgart apartment to Melk, Vienna, Prague, the bridge into Hungary, an island on the Danube that now lies under water, Plovdiv and Istanbul. Many pins are approximate: the sources name a town, not the exact spot where he stood.
Toru Watanabe, a drama student in late-1960s Tokyo, looks back on the years he spent between two women: Naoko, the fragile girlfriend of his dead best friend, and Midori, a classmate who is everything Naoko is not. Haruki Murakami's 1987 novel made him a superstar in Japan. The route follows Watanabe across the city: his dormitory, a long Sunday walk by the moat, Naoko's apartment in Kokubunji, the campus, the streetcar to Midori's neighbourhood, a house at the edge of Kichijōji and the platform at Ueno. Murakami drew on his own student years, but the novel's dormitory and university are invented, so those two pins mark real stand-ins.
A gentleman of La Mancha, a head full of chivalry books, a plain full of mills: this route follows Don Quixote from the village argued to be his to the strand of Barcelona, keeping the order of the book. It begins with the village whose name the narrator refuses to give, the inn where a landlord reading from his account book dubs him a knight, and the ridge of mills that shivered his lance to pieces. In Part II it follows him to Dulcinea's town by night, the cave where he sleeps an hour and believes three days have passed, the lakes of Ruidera, and finally Barcelona, where galley crews salute him three times and a bachelor from his own village unhorses him. Which mills he charged, and where the inn of that first night stood, are guesses: Campo de Criptana and Puerto Lápice are the usual answers.
In Wes Anderson's 2014 comedy, the concierge M. Gustave and his lobby boy Zero are caught up in a murder, a stolen painting and a war in the imaginary alpine republic of Zubrowka. The pink hotel on its crag is a model; almost everything else was shot in winter 2013 in eastern Germany, in and around the border town of Görlitz and across Saxony. This route visits the real buildings: an empty Art Nouveau department store that became the hotel lobby, a shuttered concert hall, two castles that make up Madame D.'s estate, a former prison, the most beautiful dairy shop in the world and Dresden's baroque Zwinger. Zubrowka is fictional; these are the filming locations.
The Supreme Court had ruled that segregated waiting rooms and lunch counters in terminals serving interstate buses were illegal, but across the Deep South the "whites only" signs stayed up. On 4 May 1961 thirteen volunteers of the Congress of Racial Equality, black and white together, set out from Washington, D.C., on two buses to test the ruling all the way to New Orleans. In Alabama they were met by mobs, a burning bus and police who looked away; hundreds more riders followed them into the jails of Mississippi. The route follows the rides through the places where it happened, several of them now museums and part of a National Monument.