Charlotte and Emily Brontë grew up in a parsonage on the edge of the Pennine moors, and the landscape of both novels still runs through the places they knew: a harsh school, a house with a famous library, a ruined farm on the heights.
The route starts at the Haworth parsonage, goes to the school behind Lowood, then up to the farms said to lie behind Thrushcross Grange and Wuthering Heights, and ends in Derbyshire at the hall behind Thornfield. Most identifications are traditional, not proven, and each pin says so.
A five-year-old orphan is led up a Swiss mountain path to live with a grandfather the whole village avoids. Johanna Spyri's 1881 novel follows Heidi from the alm to a grand house in Frankfurt, where homesickness sends her sleepwalking, and back to the mountain, where her friend Klara finally comes to visit.
The route runs from Ragaz, where Spyri wrote the book, through Maienfeld and the alm above it to Frankfurt and the tourist Heididorf. Spyri never names the exact hamlet or house, so most pins mark an area or a tradition.
Toru Watanabe, a drama student in late-1960s Tokyo, looks back on the years he spent between two women: Naoko, the fragile girlfriend of his dead best friend, and Midori, a classmate who is everything Naoko is not. Haruki Murakami's 1987 novel made him a superstar in Japan.
The route follows Watanabe across the city: his dormitory, a long Sunday walk by the moat, Naoko's apartment in Kokubunji, the campus, the streetcar to Midori's neighbourhood, a house at the edge of Kichijōji and the platform at Ueno. Murakami drew on his own student years, but the novel's dormitory and university are invented, so those two pins mark real stand-ins.
In spring 1689 the poet Matsuo Bashō gave up his hut in Edo and set off on foot with his friend and disciple Kawai Sora into Oku, the remote north of Japan. For about 156 days and some 2,400 kilometres they walked to the places the old poets had made famous — a barrier gate, a bay of pine islands, a battlefield, a mountain temple — and Bashō answered them with haiku.
The travel diary he made of it, Oku no Hosomichi, published in 1702, is one of the classics of Japanese literature, and its stops are still pilgrimage sites. Bashō polished the facts for art; Sora's own diary shows where. Dates follow the old lunar calendar, so they are given here by season.
