Catalog
Vincent van Gogh was born in Zundert in the Dutch province of North Brabant and died in Auvers-sur-Oise. In between came Nuenen, Antwerp, the Yellow House in Arles and the asylum at Saint-Rémy. This route follows six places in his life, from the birthplace on the Markt to the attic room at the Auberge Ravoux. Some are gone or only approximate, and each stop says so.
Leonardo da Vinci's life runs from Vinci, where he was born in 1452, through Milan, Florence and Rome to Amboise in France, where he died in 1519 and was buried at the château. The route follows six places tied to his life: the Museo Leonardiano in Vinci, Santa Maria delle Grazie in Milan, Florence's Palazzo Vecchio, the Belvedere Courtyard in Rome, Clos Lucé and the Château d'Amboise. Where his remains lie today is only presumed.
Tarkovsky's Andrei Rublev follows a medieval icon painter through the Russia of 1400–1424, and its key scenes were shot around Vladimir and Suzdal, from the Church of the Intercession on the Nerl to the Dormition Cathedral. The route also visits the Izborsk Fortress, where the Vladimir raid was filmed, plus the Andronikov Monastery in Moscow, where the story starts and ends, and the Trinity Lavra, home of Rublev's most famous icon, which the film shows in its colour epilogue. Some stops are filming spots rather than named story places.
Verano Azul was filmed in Nerja on Spain's Costa del Sol: Burriana beach, the Balcón de Europa, Cala Chica (La Caleta de Maro) and the Cueva de Nerja. The route follows the gang's summer from the first day of shooting on Burriana, past the Parque Verano Azul and its replica of La Dorada, to the fake cemetery at Almuñécar where Chanquete is buried. The town is never named on screen, but the locations run from Nerja and Maro to Vélez-Málaga and Motril.
Magnificent Century was filmed at Hadımköy's TEM studios, with a replica of Topkapı Palace; its story runs from Topkapı and the Old Palace to Süleymaniye, Hürrem's bathhouse and tomb. Hürrem rises from harem slave to Suleiman's legal wife, a jump the series turns into a court war. The route follows her from Topkapı and the Old Palace, where the harem lived until 1541, past the mosque Suleiman built for his son, Sinan's Süleymaniye, the bathhouse she endowed near Hagia Sophia, and the tiled tomb where she lies. The palace on screen was a set; the real buildings are still in the city.
In September 1786 Goethe slipped away from Carlsbad at 3 in the morning, telling none of his friends, and headed for Italy. He was arrested for drawing a castle, met the ancient world at Verona, and shared a house in Rome with a painter. The route follows his diary from Carlsbad over the Brenner and the Italian lakeshore to Verona, Venice and Rome, then to Vesuvius and Sicily. Some stops are towns or mountains rather than single buildings; the pin accuracy says which.
Frida Kahlo and Diego Rivera's Mexico City: the Casa Azul in Coyoacán, where she was born, his murals in the National Palace and their studios in San Ángel. The two painters married in 1929 and made art in the city for decades. The route runs from Frida's Blue House through Rivera's murals, the twin studio houses in San Ángel and the Trotsky house nearby, to the museum pyramid Diego built for his collection.
In Gogol's Petersburg nothing is what it seems: the grandest street is a liar, a nose walks about in a state councillor's uniform, and a dead clerk tears coats off passers-by. Three of his stories share one city, and most of their stops can still be walked. The route runs along Nevsky Prospekt and its neighbouring streets, from the painter's and the lieutenant's chases in Nevsky Prospekt, through The Nose's barber, cathedral, bridge, garden and shop, to the Kalinkin Bridge where the ghost of The Overcoat is said to prowl. A few stops are approximate, since Gogol seldom gives house numbers.
Hemingway wrote A Moveable Feast about his poor, happy early years in 1920s Paris, working from notebooks he had left in trunks at the Ritz in 1928. It was published in 1964, after his death. This route walks the memoir's Paris: the flat on the rue du Cardinal-Lemoine, Gertrude Stein's salon, Sylvia Beach's bookshop, the cafés of Montparnasse and Saint-Germain, and the Ritz where the notebooks resurfaced. Hemingway himself said the book may be read as imagination, so treat its scenes as a memory, not a record.
Angels & Demons, Ron Howard's 2009 film, is set across Rome: the Pantheon, Santa Maria del Popolo, Piazza Navona and Castel Sant'Angelo. Four cardinals are kidnapped, one dies each hour on the Path of Illumination, and Robert Langdon must stop antimatter from destroying the Vatican at midnight. This route follows Ron Howard's 2009 film rather than Dan Brown's novel: the Pantheon and Raphael's tomb, the Chigi Chapel in Santa Maria del Popolo, the obelisk in St Peter's Square, Bernini's Ecstasy of Saint Teresa, the Fountain of the Four Rivers, the assassin's lair at Castel Sant'Angelo, and the midnight finale beneath St Peter's. All of it still stands; the caveat is that Rome's diocese refused the crew access to the churches, so several interiors in the film are studio sets.
After a job goes horribly wrong in London, two Irish hitmen are ordered to lie low in Bruges and wait for a phone call. Ken finds the city beautiful; Ray is bored rigid and says so at every turn. Martin McDonagh's 2008 dark comedy was shot entirely on location in the city in February and March 2007. This route follows Ken and Ray through the medieval centre: their hotel, the Belfry, a church with a relic, Bosch's vision of hell in the Groeninge Museum, a park, the Lake of Love and the street where the story ends. One scene was shot in a stand-in church, and the top of the tower was a studio set.