At 82, Leo Tolstoy slipped out of his house in the night, boarded a train with no destination in mind and was dead within ten days. The route follows that flight of November 1910, from his estate through two monasteries to a small railway station that suddenly drew the attention of the world.
It covers six stops in the Tula, Kaluga and Lipetsk regions. Three stops are approximate: two railway stations pinned by map search, and Astapovo, pinned on its village.
In 1927 a former nobleman and a charming con man chase twelve dining chairs, one of them hiding family jewels, across the Soviet Union. Ilf and Petrov's comic novel follows them from a sleepy provincial town through Moscow and the Volga to the spa of Pyatigorsk, the Caucasus road and the Crimean coast.
The route marks six stops; Stargorod and Vasyuki are invented, so their pins are only candidate stand-ins.
A stranger who looks foreign joins two writers at Patriarch's Ponds, predicts a death, and Moscow's strangest spring begins. In Bulgakov's novel the devil, as Woland, visits Soviet Moscow with a retinue that includes the cat Behemoth and the henchman Azazello, while Margarita bargains with him for the Master.
The route follows the Moscow chapters in order: the ponds where it all starts, a writers' club, a haunted flat, a stage show, a flight of revenge, a ball, a terrace beside the Kremlin and a farewell on the Sparrow Hills. Several places are invented or only inspired by real ones, and each stop says which.
Tolstoy's huge novel carries its aristocratic families from the drawing rooms of 1805 into the wars against Napoleon, and its battlefields are among the most famous in fiction: a forgotten battery, a wounded prince staring at the sky, a civilian in a white hat on the wrong hill at the right moment.
The route follows the book from a Moscow house and a country estate through Schöngrabern and Austerlitz to 1812: Borodino, the council at Fili and Napoleon waiting on Poklonnaya Hill. Some stops are real places Tolstoy wrote about, others are real stand-ins for places that exist only in the novel; each says which. Dates follow the modern calendar, with Tolstoy's Old Style date noted where it differs.