Tony Soprano's mob is a New Jersey one, and the series made a point of it: the majority of its exterior scenes were filmed on location in the state, with most interiors built at Silvercup Studios in New York.
The route follows the opening titles from the Pulaski Skyway to the Soprano house, then the pork store, the Great Falls, the Bada Bing, the Pine Barrens and the diner of the finale. The Pine Barrens episode was filmed in New York, and the house is a private home, so its pin marks only the borough.
Downton Abbey is set on a fictional Yorkshire estate between 1912 and 1925, but its great house stands in Hampshire and its village in Oxfordshire. This route follows the story, from the Titanic news of series 1 to the royal visit of the 2019 film, to the real places behind it.
It takes in Highclere Castle, Bampton's church and library, a prison in Lincoln, castles in Scotland and Northumberland, the Ealing stage where the kitchen was built, and the film's parade village and York streets. Lacock's pin marks the village, as the sources name no exact spot.
L.A. Noire rebuilds Los Angeles in 1947 with fanatical care: the studio mapped the real streets, modelled building interiors on the originals, and filled the map with the city's landmarks. Detective Cole Phelps drives that recreation through traffic, homicide, vice and arson cases, and much of the city he moves through is still standing.
This tour follows the real places behind the game's map, from Union Station and Bunker Hill to Wilshire's art deco and the Hollywood movie palaces, then down to the river where the story ends. Every pin marks a real site the game put on its streets.
Mission: Impossible – Dead Reckoning Part One sends Ethan Hunt across the Empty Quarter, Abu Dhabi, Rome and Venice for a two-piece key, with a cliff jump at Hellesylt and a train sequence doubled on a Yorkshire railway and in a Peak District quarry. The rogue AI Entity wants it too.
Almost every stop is a real place: the desert and airport in the Emirates, a car chase through Rome, a party at the Doge's Palace, a cliff jump at Hellesylt in Norway, and the Alpine train sequence doubled on a Yorkshire heritage railway and in a Peak District quarry.
A feather drifts down onto a bench in Savannah, and a man starts to talk. His life unrolls across half a century of American history, from an Alabama childhood to the jungles of Vietnam, the Lincoln Memorial, the Watergate and a bayou shrimp boat.
This route follows the film in order, from the bench on Chippewa Square to the lighthouse in Maine and the desert where the running finally stops. It marks the real locations and the real stand-ins, since the fictional town of Greenbow and the Vietnam jungle were both played by South Carolina.
Mamma Mia! sets fictional Kalokairi on Skopelos and Skiathos: the town below Villa Donna, the Old Port, Glysteri's rock jump and the wedding chapel of Agios Ioannis Prodromos. Sophie has secretly invited three possible fathers to her wedding.
Five stops on the real islands behind Kalokairi, where principal photography took place from August to September 2007: the town below the villa's hill, the Skiathos harbour where two of the men arrive in identical cabs, the cove of the diary reading and the rock jump, the main beach set with its vanished bar and jetty, and the rock-top chapel of the wedding. One caveat: there is no Villa Donna to visit — the hotel was a Pinewood set.
Dune turns real places into its planets: Norway's Stadlandet is Caladan, Jordan's Wadi Rum and Abu Dhabi's Liwa Oasis share Arrakis, Budapest's Origo Studios build Arrakeen and Italy's Brion tomb becomes the emperor's court. Paul Atreides leaves Caladan for the desert planet, the sole source of spice, then forces Emperor Shaddam to come to Arrakis with Irulan and his Sardaukar soldiers.
This route links the five key locations: Stadlandet standing in for Caladan, Wadi Rum and the Liwa Oasis sharing Arrakis, Origo Studios staging Arrakeen and the ornithopters, and the Brion tomb doubling as the imperial court. Part One shot from March to July 2019 in Hungary, Jordan, Norway and the Emirates; Part Two followed from July to December 2022, adding Italy and Namibia to the itinerary.
Jurassic Park (1993) invents a dinosaur theme park on an island that does not exist, then shoots almost all of it on one small Hawaiian island, Kauaʻi. On 11 September 1992, the last scheduled day of the Kauaʻi shoot, Hurricane Iniki passed directly over the island and pushed one famous sequence to a ranch on Oʻahu.
Nine stops follow the film in story order: the garden of the opening attack, the stream that played a Dominican amber mine, the Kapaʻa waterfront that played a Costa Rica café, the falls every visitor flies past, the estate where the visitor centre façade stood, the gates below Mount Waiʻaleʻale, the canyon of the dead fence, the Gallimimus stampede at Kualoa Ranch and the garden where Grant finds the nest. Filming on Kauaʻi began on 24 August 1992.
Indiana Jones and the Last Crusade (1989) sends Indy from a Boy Scout outing in the Utah desert to the rock-cut façade of Petra, chasing the Holy Grail and his missing father. Three trials guard the cup at the end. The film borrows its scenery from half of Europe, the Middle East and the American West.
Nine stops, most of them still standing: the Arches canyons of the opening, the church façade in Venice's Campo San Barnaba that plays the library, an Eifel castle dressed as Brunwald, a San Francisco building that played Berlin's Tempelhof airport, the Almería beach where Henry brings down a fighter with an umbrella, a Granada station playing Alexandretta, the Tabernas tank chase, the Treasury that fronts the Grail's temple, and the Texas sunset the film ends on. Dates are story time; filming ran from May 1988 to early 1989.
Angels & Demons, Ron Howard's 2009 film, is set across Rome: the Pantheon, Santa Maria del Popolo, Piazza Navona and Castel Sant'Angelo. Four cardinals are kidnapped, one dies each hour on the Path of Illumination, and Robert Langdon must stop antimatter from destroying the Vatican at midnight.
This route follows Ron Howard's 2009 film rather than Dan Brown's novel: the Pantheon and Raphael's tomb, the Chigi Chapel in Santa Maria del Popolo, the obelisk in St Peter's Square, Bernini's Ecstasy of Saint Teresa, the Fountain of the Four Rivers, the assassin's lair at Castel Sant'Angelo, and the midnight finale beneath St Peter's. All of it still stands; the caveat is that Rome's diocese refused the crew access to the churches, so several interiors in the film are studio sets.
Much of Game of Thrones' North was filmed in Northern Ireland. Winterfell, its godswood, Castle Black, the Kingsroad and a fishing harbour that played Pyke were all real ground dressed as Westeros, and a basalt hillside above a small Antrim village hosts the first execution of the series.
The route runs in the order the episodes aired: the deserter's beheading above Cairncastle and the Winterfell of Castle Ward, then the quarry that held Castle Black and the Wall, the godswood, the Kingsroad beech avenue and the harbour where Theon Greyjoy comes home. The last stop is the Moneyglass estate, where a bigger Winterfell was built for the second season and used again for the eighth season's battle. Almost everything here is exterior: Winterfell's great hall was a soundstage set.
A jazz pianist and an aspiring actress argue through the windows of their cars in a Los Angeles traffic jam, and the city itself becomes the romance: a night on a funicular, a broken projector, a kiss in a planetarium. Damien Chazelle shot La La Land in 40 days across Los Angeles in the summer of 2015, and most of the places the couple reaches for are still there.
This route follows Mia and Sebastian from the freeway ramps where they shout at each other to the jazz bar Seb finally gets to open — the 105/110 connector ramps, the Burbank café on the Warner lot, the Lighthouse Café and the pier beside it, the Rialto in South Pasadena, Griffith Observatory and Angels Flight. The film rarely names its own locations, so a few pins mark the real building that stood in for the one on screen.
In about 1986 a boy of five or six fell asleep on an empty train in central India and woke up nearly 1,500 kilometres away in Calcutta, unable to name his home town. Adopted by a couple in Tasmania, Saroo Brierley found his way back 25 years later by tracing railway lines on Google Earth. His memoir A Long Way Home became the 2016 film Lion, with Dev Patel as the grown-up Saroo and Nicole Kidman as his adoptive mother.
The route follows the real journey, which the film tells closely, from Khandwa station to Burhanpur, Howrah and Hobart, and back to Khandwa. Family homes are private and not pinned.
Bond is shot off a train in Turkey and left for dead, while a former agent with a grudge against M attacks MI6 from within. Sam Mendes's 2012 film — the 23rd Bond and the highest-grossing of them all — was shot between November 2011 and May 2012 in London, Turkey and Scotland, with much of "Shanghai" and "Macau" faked in England.
The route follows the story from the rooftops of the Grand Bazaar to the railway viaduct where Bond falls, a beach bar in Fethiye, MI6's real headquarters, a Turner in the National Gallery, an abandoned Japanese island, a disused Tube platform and the glen where Bond takes M home. Skyfall Lodge itself was a set in Surrey.
The Motorcycle Diaries follows Ernesto Guevara and Alberto Granado's 1952 journey from Buenos Aires across South America — Valparaíso, the Chuquicamata copper mine, Machu Picchu, the San Pablo leper colony on the Amazon — to Caracas. Their overloaded Norton died in Chile; the poverty they saw on the way changed Guevara.
Guevara's diary of the trip, published decades later as The Motorcycle Diaries, records how poverty, exploited miners and the lepers they worked with changed him; within a few years he was "Che", a leader of the Cuban Revolution. The route follows the journey from both men's accounts as summarised by historians.
Jake Barnes, an American newspaperman wounded in the war, spends his Paris nights in the cafés of Montparnasse with Lady Brett Ashley — the woman he loves and cannot have. Then the whole crowd heads south: trout fishing in the Pyrenees, then a week of San Fermín in Pamplona, where drink, jealousy and a nineteen-year-old matador break everything open.
Hemingway built the novel from his own trips of 1924 and 1925, and almost every stop can still be visited: the café on the Boulevard du Montparnasse, the inn at Burguete, the arcade café on Pamplona's main square, the bullring, the beach at San Sebastián and the Madrid restaurant where the book's last meal is eaten.
