China's first emperor unified the warring states in 221 BC and spent his last decade building: a capital, canals, walls, palaces and a vast tomb. Some of what is told about him is documented history; some is legend.
This route visits seven places tied to him, from Xianyang to the Terracotta Army. Stops marked as legend or speculative (the elixir quest on Zhifu Island, the lost course of the Qin wall) are kept apart from sites that archaeology has confirmed.
Ang Lee's wuxia romance sends a retired swordsman, a runaway governor's daughter and a stolen sword across a China that was assembled from many places. The film began shooting in Xinjiang on 31 July 1999 and then moved to the Jiangnan region and Beijing.
This route follows the story through the real locations behind it: a desert ghost city, two Anhui villages, the Anji bamboo forest, and Cangyan Mountain, which plays the fictional Wudang. The real Mount Wudang sits in the story, but the film was not shot there.
Jin Yong, the grand master of martial arts fiction, was born in Haining, Zhejiang. This route follows him out of the family house, to the tide he loved, and then across China to the places his heroes fight: a lake in Jiaxing, an island off Zhoushan, the mountains and monastery of Hua, Shaolin and Wudang, and a cell under Hangzhou's West Lake.
The real landmarks are documented; the sects, manors and duels set at them are fiction. Each stop says which is which, and where a pin marks the real place, it is not a scene.
Genshin Impact's Liyue is a fantasy nation, but its cliffs, pools and harbour were built from real Chinese places.
The route follows the landscapes its developers named as models, from Yangshuo and Huanglong to Zhangjiajie, Fenghuang and Huangshan. Three of them, Zhangjiajie, Huanglong and Guilin, also hosted official in-park collaborations in 2020. The pins mark the real models, not game locations.
The Kojiki, compiled in 711-712, is the oldest surviving book in Japan. It tells how the gods quarrelled over the land, how Amaterasu hid in a cave, how Izumo yielded to her line and how her grandson came down to earth.
This route follows that story to seven places, from Izumo to Takachiho, Kirishima and Ise. The myth is what the text tells; the shrine foundings and excavations are documented history, and each stop keeps the two apart. Several sites are traditional identifications that rival places also claim.
Walking the island of Shikoku from temple to temple, in the footsteps of the monk Kūkai, is one of Japan's oldest pilgrimages.
This route visits seven of the 88 temples, from Temple 1 in Tokushima to the finish at Temple 88, passing the four provinces, Kūkai's birthplace and the highest temple. The legends here are temple tradition, not proven history.
For over a thousand years, emperors, samurai and ordinary people have walked mountain trails to three shrines of the ancient syncretic Kumano religion. Emperor Go-Shirakawa alone made the trip 34 times, and in the Muromachi period the stream of walkers was called a "pilgrimage of ants".
This route follows the Nakahechi from Takijiri-oji through Chikatsuyu and Hongū, by river to Shingū, then to Nachi's stone steps and waterfall. Some stops are pinned to the area rather than a surveyed spot.
On 6 August 1945 an atomic bomb was dropped on Hiroshima; three days later, another on Nagasaki. This route follows the two days on the ground, from the bridge that served as the aiming point to the places that survived or were rebuilt.
It starts in Hiroshima at Aioi Bridge, the hypocenter and the Dome, then moves to Nagasaki's hypocenter, cathedral and shrine, and ends with the two museums and parks built in 1955. Death tolls are estimates and are given as the ranges researchers publish.
In July 1853 four black warships anchored off Uraga and ended more than two centuries of Japanese seclusion. Within a year, Commodore Matthew Perry had delivered a president's letter, signed a treaty and opened two ports.
The route follows his two voyages: from the Ryukyu court at Shuri to Uraga, Kurihama, the treaty at Yokohama and the temples of Shimoda. Perry also visited Hakodate in 1854, but that stop is not included.
Between 1180 and 1185 Japan's two great warrior clans, Taira and Minamoto, fought over the realm, and the war ended with a child emperor, a fleet and the tide at Dan-no-ura. It was the war that led to the first shogun.
This route visits seven battlefield sites in date order, from the bridge at Uji to the Kanmon Straits. Documented events are kept apart from the Heike Monogatari's legends, which the text attributes to the tale. Most battle areas are approximate.
In 1832 the printmaker Hiroshige travelled the Tōkaidō, the road from Edo to Kyoto, and made it into The Fifty-three Stations of the Tōkaidō. This route follows seven of his prints, from the bridge where the road began to the bridge where it ended.
Each stop pairs a print with what is there today: a rebuilt checkpoint, a long river bridge, a shrine, a preserved post town. Scholars debate whether Hiroshige saw every station himself, so the pins mark the places, not his exact viewpoints.
In April 1701 a lord drew a blade inside Edo Castle, and two years later forty-seven of his leaderless samurai stormed the mansion of the man he had attacked. The documented story runs from a corridor in Edo, through a surrendered castle and a quiet retreat near Kyoto, to a night raid and a temple cemetery in Tokyo.
The route sticks to dated events and places. The legend of Chūshingura, the later play, is kept to the final stop, where it is set apart from what happened.
Murasaki Shikibu's eleventh-century novel follows Prince Genji from the capital to exile on the Suma shore and, in its last ten chapters, to Uji. Many of its places are real shrines and temples that visitors can still enter.
The route runs by chapter, from Kitayama to Uji, then to the temples tied to the author. Chapters are fiction; the Ishiyama-dera writing story is tradition, and Rozan-ji is one scholar's identification.
In Ishin!, Sakamoto Ryōma flees Tosa as a murder suspect, hides in Kyoto under the name Saitō Hajime and joins the Shinsengumi to find the masked killer of his adoptive father. The game is fiction built on real history: its Ryōma, its plot and its twists belong to the game, while the Teradaya attack and the Ōmiya killing really happened.
The route follows the story from Kōchi Castle through the Shinsengumi's Mibu, Gion and Fushimi to the Ōmiya Inn, and each stop says what is the game and what is the record.
Neku Sakuraba wakes in the Shibuya crowd with no memory and is pulled into the Reapers' Game, a week-long contest of missions that decides whether the dead live on or vanish. Square Enix's 2007 Nintendo DS cult classic turned the district into its whole stage, keeping the landmarks and changing the shop names.
The route follows Neku from the scramble crossing to Hachikō, the ramen shop on Dōgenzaka, the Cat Street café, the hidden Shibuya River and the walk back through Udagawa. In-game places are mostly stand-ins, so pins are approximate except two icons.
Two Godzillas, sixty years apart, wreck the same city. In 1954 he comes out of Tokyo Bay at Shinagawa and walks into Ginza; in Shin Godzilla (2016) he lands at Kamata, mutates at Kitashinagawa and is finally frozen beside Tokyo Station.
The route follows the 1954 film first, then Shin Godzilla, using the places named in each story. Where a scene was shot elsewhere, the stop says so.
Sailor Moon is a fantasy about moon princesses and magical warriors, but its home ground is a real Tokyo neighbourhood. Author Naoko Takeuchi had lived in Azabu-Jūban, and apart from the fantasy elements most places in the story are modelled on real ones nearby.
This route visits five of them: the shopping street, a park under a highway, two shrines that stand in for the Hikawa Shrine of the story, and Tokyo Tower. The manga and the older anime sometimes used different real models, and the two shrine pins mark real stand-ins for the story's invented Hikawa Shrine.
Two Mamoru Hosoda films are built on places from his own life. Summer Wars is set in Ueda, Nagano; Wolf Children draws on Kamiichi, Hosoda's home town in Toyama, and the hills around it.
The route visits Ueda Station and the castle gate seen in Summer Wars, then Hitotsubashi University, a farmhouse in Kamiichi and a school in Namerikawa from Wolf Children. The Kamiichi pin marks the district, not the house.
Girls und Panzer sends high-school girls into tank tournaments, and its home port is a real Japanese town. Ōarai in Ibaraki appears in the series so faithfully that fans flocked to it as soon as the anime aired.
This route follows the story through six places: the harbour of the school ship, the mall and the inn of the episode 4 street battle, the station where the tank trains roll in, and the shrine steps and coast of the film's exhibition match. The series does not name every street, so some pins are approximate.
Hitori Goto is a guitarist who loves music and can hardly talk to anyone. Her band, Kessoku Band, plays at a small live house in Shimokitazawa, and the story stays close to real music towns in Tokyo and Kanagawa.
This route follows the band from the stage that inspired STARRY to Hitori's home station and a summer day on Enoshima. Two venues are invented and modelled on real live houses; the pins mark those models.
Two Makoto Shinkai films, two love stories that never quite meet: a rainy-morning friendship in a Tokyo garden, and a boy and girl pulled apart across Japan, from a snowbound station in Tochigi to a rocket island in the south.
The route starts with The Garden of Words in Shinjuku Gyoen, then follows 5 Centimeters per Second through its three episodes: Tokyo and Iwafune, Tanegashima, and Tokyo again. Each stop names its film.
Yurucamp (ゆるキャン△) sends a handful of schoolgirls camping around Mount Fuji, and most of what they visit is real.
This route follows eight places from the series, from Lake Motosu to the Mizugaki area. Campsite and shop names are often changed on screen, so each stop names the real place it is modelled on.
The anime Hyouka is set in a fictional town, but its backdrops are real streets in Takayama, in the mountains of Gifu. The author's home town became the model, and the local tourism board publishes an official pilgrimage model course.
This route follows six places from the opening title to the final episode: the river and morning market, the school-route crossing, the Old Town, the library, the hill shrine and the festival shrine outside town. Where the story renames a place, the pin marks the real one.
The golden king who rafted out into a mountain lake in a coat of gold dust is a legend, first written down generations after the conquest. The gold, the Spanish expeditions, the draining of the lake and a small golden raft in a museum are history.
The route follows both threads, and each stop says which is which: Quesada's march in 1537, the lake itself, the drainage, a rival lake, the cave where a raft turned up in 1969 and the Bogotá museum that keeps it.
