A boy born in Eisleben becomes a monk, a professor and the man who defied an emperor. Along the way he vows in a thunderstorm, challenges the church over indulgences, is spirited away in disguise and ends his life where it began.
The route follows Luther through seven places in Germany: his birth house, the Erfurt monastery, the Wittenberg church doors, the Diet of Worms, the Wartburg, his Wittenberg home and the house where he died. The Worms pin is approximate, and the Castle Church doors story is tradition.
In March 1697 a great Russian embassy left Moscow for Europe, and the tsar went with it incognito as "Peter Mikhailov", though at 2.03 metres he was one of the tallest men around. He worked in shipyards, studied gunnery and tried to broaden the Holy League against the Ottoman Empire.
The route follows the journey stop by stop: Riga and Königsberg, the Dutch shipyards, London and Deptford, then Vienna and the meeting with Augustus II at Rava-Ruska. Dates follow each source: the Dutch article uses the Gregorian calendar, the English and Russian sources the Old Style, so the labels say which.
The golden king who rafted out into a mountain lake in a coat of gold dust is a legend, first written down generations after the conquest. The gold, the Spanish expeditions, the draining of the lake and a small golden raft in a museum are history.
The route follows both threads, and each stop says which is which: Quesada's march in 1537, the lake itself, the drainage, a rival lake, the cave where a raft turned up in 1969 and the Bogotá museum that keeps it.
In April 1519 Cortés landed on the coast of Veracruz; in August 1521 the Aztec capital fell. In between came alliances, a massacre, a night of disaster on a causeway and an eight-month siege.
The route follows the campaign from Villa Rica to Tlatelolco and sets the Spanish accounts of Cortés and Díaz beside Tlaxcalan and Aztec ones where they are known. Where the accounts conflict, the stop says so.
Ridley Scott's 2005 epic follows Balian, a French blacksmith turned Baron of Ibelin, from his village to Messina, Jerusalem, Kerak, the desert defeat at Hattin and the siege that ends the film. Every stop pairs a scene with the place where it was shot, or with the real place the scene stands for.
The film was made in Spain and Morocco, not the Holy Land, so the route moves between sets and history. Where the film departs from the record, the stop says so: the historical Balian was a prominent lord of the Kingdom of Jerusalem, not a French artisan.
A baker's oven in Pudding Lane, a gale from the east and a city of timber and pitch: in four days in September 1666 the fire destroyed medieval London, including Old St Paul's. Samuel Pepys watched it from the Tower, from the river and from a church tower, and wrote it all down.
The route follows the fire from its first spark on Sunday morning to its end on Wednesday, then to the Monument and the Golden Boy that remember it. Where the sources give only an area, such as the refugee camps at Moorfields, the pin marks it loosely.
In April 1625 an eighteen-year-old Gascon rides into the market town of Meung on a yellow pony, bound for Paris and the King's Musketeers. Dumas's novel follows D'Artagnan from that first quarrel through duels, a secret night in the Louvre, a bet made during a siege and a midnight ending on a river bank.
The route runs from the Loire to Paris, on to La Rochelle and Portsmouth, and back to the banks of the Lys. The streets, squares and palaces are real; most inns, houses and bastions are Dumas's, so several pins mark a town or a street rather than a building.
Taki, a Tokyo schoolboy who waits tables in Shinjuku, keeps waking up in the body of Mitsuha, a shrine maiden in a mountain town who has never left it. They leave notes on each other's skin, fall for each other from a distance — and then the switching stops dead. Taki rides west with two friends to find the town he can only draw from memory, and finds it gone: a fragment of a comet took Itomori and five hundred people three years before his visit.
The town was invented, but the film stands on real ground: the Shinjuku where Taki lives and works, the Hida valley that lent Itomori its backdrop, the lake generally credited with the crater pool, and the stone staircase where the story ends. One caveat: Itomori was never filmed, so its crater is the one stop here without a pin.
