In autumn 1988 the BBC sent Michael Palin round the globe in the footsteps of Jules Verne's Phileas Fogg, with no aircraft allowed. It began and ended at the Reform Club in London and ran from 25 September to 12 December.
The route follows nine moments from his own day-by-day captions and diary excerpts: Venice, the Pyramids, a dhow from Dubai to Bombay, Hong Kong, a train to Shanghai, the Pacific, an Aspen balloon and a locked door in Pall Mall. Pins mark cities and landmarks; the real line of travel ran between them.
In the summer of 1935 the young Laurie Lee left London for Spain with a violin and a single Spanish phrase. For a year he walked and played his way from Galicia to the Andalusian coast, sleeping under the open sky or in cheap posadas, welcomed even by the poorest villagers.
The route follows his memoir from Vigo through Zamora, Toledo, Tarifa and Málaga to Almuñécar, where he was rescued by a British destroyer as the Spanish Civil War began. Pins mark towns, not the roads he actually walked.
Disguised as a beggar, a Belgian-French explorer walked into the forbidden city of Lhasa among pilgrims. Alexandra David-Néel and her adopted son Yongden stayed two months in 1924, then slipped away before the governor could act.
The route follows her from Kumbum, where she studied for years, across the Kyi to the Potala and the Monlam crowds, then on to Samye, Tsetang and Gyantse. Pins are area-level, and critics have disputed her account since 1972.
Pedro Almodóvar has shot the majority of his films in Madrid, and Madrid's tourism office lists the exact streets, bars and squares where his scenes happened.
The route follows eight filming spots in order of release, from the El Rastro bar of Labyrinth of Passion in 1982 to the Comendadoras square of Parallel Mothers in 2021, with one detour to Almagro in La Mancha for Volver.
Santiago, a shepherd boy from Andalusia, keeps dreaming of treasure at the Egyptian pyramids. A fortune-teller and a mysterious old king send him across the strait to Africa, where he is robbed in Tangier, falls in love at an oasis and crosses a desert of warring tribes. Paulo Coelho's 1988 fable has sold more than 150 million copies.
The route follows the boy from a ruined church to the Giza plateau and back again. The book keeps its geography loose, so most pins mark the best-known place for a scene rather than a spot the author names.
Forza Horizon 5 drops the Horizon Festival into a fictionalised Mexico, on a map 50% larger than Forza Horizon 4's. Creative director Mike Brown calls Mexico almost the whole world in one country: snowy peaks, tropical jungles, epic canyons, beautiful beaches, ancient architecture and modern cities.
This route visits seven real places the game recreates, from a sea arch at the tip of Baja to a canyon with a train, and says what the game does at each. The map is a condensed Mexico, so the pins mark the real sites, not their positions in the game.
Liberty City is New York with the labels peeled off. Grand Theft Auto IV rebuilds four of the boroughs, borrows New Jersey for the state across the river, and copies in the Statue of Liberty, the Coney Island Cyclone, the Manhattan Bridge, Times Square and the Empire State Building — then renames nearly all of them, so the game's Liberty statue holds a takeaway coffee instead of a torch. The story is set in 2008, the year the game arrived.
This route pins nine real places behind those names: the triumphal arch at Brooklyn's Grand Army Plaza, the wooden Cyclone at Coney Island, the Manhattan Bridge as the Algonquin Bridge, Brighton Beach as Hove Beach, the surviving 1964 World's Fair site in Queens, and three Manhattan landmarks — Middle Park, Star Junction and the Rotterdam Tower. Each stop names the in-game location it stands in for. One caveat: Rockstar deliberately avoided a precise recreation of New York, so expect the landmarks, not the street plan.
Indiana Jones and the Last Crusade (1989) sends Indy from a Boy Scout outing in the Utah desert to the rock-cut façade of Petra, chasing the Holy Grail and his missing father. Three trials guard the cup at the end. The film borrows its scenery from half of Europe, the Middle East and the American West.
Nine stops, most of them still standing: the Arches canyons of the opening, the church façade in Venice's Campo San Barnaba that plays the library, an Eifel castle dressed as Brunwald, a San Francisco building that played Berlin's Tempelhof airport, the Almería beach where Henry brings down a fighter with an umbrella, a Granada station playing Alexandretta, the Tabernas tank chase, the Treasury that fronts the Grail's temple, and the Texas sunset the film ends on. Dates are story time; filming ran from May 1988 to early 1989.
In 1324 Mansa Musa, ruler of the Mali Empire, set out on the pilgrimage to Mecca with a caravan so rich in gold that Cairo talked about it for years. Arab chroniclers wrote of thousands of servants carrying gold bars and camels loaded with gold dust; historians today treat those numbers as a way of saying "more than anyone could imagine", not as a count. The Catalan Atlas of 1375 still shows him enthroned in the Sahara, holding up a piece of gold.
The route keeps to the places the sources actually record: the royal city of Mali, the camp below the pyramids, Cairo, Mecca, and Gao and Timbuktu on the way home. The road across the desert is not documented, so it is not drawn. The route offers no travel advice for Mali.
