Pulp Fiction, Jackie Brown and Once Upon a Time in Hollywood were shot around Los Angeles, from a Hawthorne diner to Musso & Frank on Hollywood Boulevard.
The route follows the three films in release order: the diner and boxing venue of Pulp Fiction, the Del Amo mall and strip joint of Jackie Brown, then Musso & Frank, Larry Edmunds Bookshop, the Bruin Theater and the Simi Valley ranch of Once Upon a Time in Hollywood. Several sites are gone or rebuilt, such as the Hawthorne Grill and the original Spahn Ranch, and the pins mark the filming locations.
The Devil Wears Prada is set in New York and Paris, and was shot in both: the office tower that plays Runway's parent company, the Smith & Wollensky steakhouse, the American Museum of Natural History and the Fontaines de la Concorde, where Andy drops her phone.
The route follows her from the job interview to the Paris trip and back to the newsroom where she ends up. The crew spent only two days in the real Paris, filming exteriors only.
Sex and the City is set in Manhattan, and the 2008 film follows Carrie Bradshaw from her Perry Street stoop to the New York Public Library, Bemelmans Bar, Bryant Park and the Brooklyn Bridge.
Carrie's fictional address is on the Upper East Side, but the real brownstone is in Greenwich Village. This route follows the film's wedding, break-up and reunions through places that were actually used, from a Chelsea restaurant and a Central Park pavilion to a Brooklyn courthouse that plays City Hall.
Terminator 2: Judgment Day was shot across Los Angeles and beyond in 1990 and 1991: the Sixth Street Bridge, the Santa Monica Place mall, the Bull Creek spillway and the Kaiser Steel mill in Fontana all appear in the film.
This route follows nine of those real places in story order, from the biker bar where the T-800 picks up its clothes to the steel mill where it dies. Some have vanished — the Sixth Street Viaduct was demolished and the Corral Bar is now a library — and one is in Fremont, not Los Angeles at all.
Alice in Borderland begins with three friends running through Shibuya and ends with Arisu and Usagi fighting for the city itself. Between those points the series empties Tokyo, then lets it grow over. This route follows the real Shibuya landmarks the characters use — the scramble crossing, the Hachikō gate, Shibuya Stream, 109 and SHIBUYA SKY — and visits the two sets where the empty and overgrown city was built, in Ashikaga and Yokohama.
The story never leaves Tokyo; the production did. This route follows the Netflix series, not Haro Aso's manga, and each stop keeps the story place and its stand-in apart.
Agent 47 has killed his way across the world in the Hitman trilogy, from a Paris fashion show to a skyscraper in Dubai. Behind the levels stand real cities, a real tower and a few real places that inspired invented ones.
This route follows nine missions from the 2016 game to Hitman 3. Most venues are fictional, so the pins mark the city or the real place the designers named as a model, and each stop says which.
A stranger who looks foreign joins two writers at Patriarch's Ponds, predicts a death, and Moscow's strangest spring begins. In Bulgakov's novel the devil, as Woland, visits Soviet Moscow with a retinue that includes the cat Behemoth and the henchman Azazello, while Margarita bargains with him for the Master.
The route follows the Moscow chapters in order: the ponds where it all starts, a writers' club, a haunted flat, a stage show, a flight of revenge, a ball, a terrace beside the Kremlin and a farewell on the Sparrow Hills. Several places are invented or only inspired by real ones, and each stop says which.
The Travels of Marco Polo runs from Venice and Acre to Kublai Khan's Xanadu, then south to Hangzhou and home again. In 1271 a seventeen-year-old Venetian set out with his father and uncle and did not come home for 24 years.
The route follows the book from Venice and Acre to the Persian Gulf, across the Pamir highlands and the desert to Kublai's summer and winter capitals, south to Hangzhou and the port of Zayton, and home again. Some of the roads are reconstructed by scholars, and Polo sometimes exaggerates, so each stop notes where the evidence is thin.
A young bear stows away from Peru, turns up at Paddington station and is taken in by the Brown family. Paul King's 2014 film follows him through a cosy London of antique shops and a gentlemen's club, while a taxidermist closes in.
Most of it was shot on real London streets. This route runs from the station to Primrose Hill, Portobello Road, Pall Mall and the Natural History Museum, with one caveat: the film's station front door is borrowed from Marylebone.
Fitzgerald set The Great Gatsby on two invented peninsulas, West Egg and East Egg, but he built them from the Long Island he knew in Great Neck, where he lived from October 1922. Behind the glamour sit a dump, a station and a hotel suite that were all real.
This route follows Nick from the Eggs through the valley of ashes, Penn Station, the Queensboro Bridge and the Plaza Hotel. The Eggs, the valley and Gatsby's house are invented, so their pins mark the real places the novel is read against.
In April 1625 an eighteen-year-old Gascon rides into the market town of Meung on a yellow pony, bound for Paris and the King's Musketeers. Dumas's novel follows D'Artagnan from that first quarrel through duels, a secret night in the Louvre, a bet made during a siege and a midnight ending on a river bank.
The route runs from the Loire to Paris, on to La Rochelle and Portsmouth, and back to the banks of the Lys. The streets, squares and palaces are real; most inns, houses and bastions are Dumas's, so several pins mark a town or a street rather than a building.
Crown Princess Ann, on a goodwill tour of Rome, slips out of her embassy for one night of ordinary life. Reporter Joe Bradley finds her asleep in the street, recognises her from a newspaper photograph, and secretly guides her through the city to land an exclusive — a day of ice cream, a Vespa and the Mouth of Truth that turns into something neither of them planned.
William Wyler's 1953 comedy was shot almost entirely in Rome. The route follows Ann and Joe through the real locations: the palace that played the embassy, Joe's flat on Via Margutta, the Trevi and the barber by the Spanish Steps, the Colosseum, the Bocca della Verità, the riverside dance beside Castel Sant'Angelo and the closing press conference at Palazzo Colonna.
