L.A. Noire rebuilds Los Angeles in 1947 with fanatical care: the studio mapped the real streets, modelled building interiors on the originals, and filled the map with the city's landmarks. Detective Cole Phelps drives that recreation through traffic, homicide, vice and arson cases, and much of the city he moves through is still standing.
This tour follows the real places behind the game's map, from Union Station and Bunker Hill to Wilshire's art deco and the Hollywood movie palaces, then down to the river where the story ends. Every pin marks a real site the game put on its streets.
Hill Valley is fictional, but almost all of it is Los Angeles. The 1985 film sends Marty McFly thirty years back to a small California town, and the filmmakers built its square on a studio backlot and dressed real malls, schools, churches and houses around the city as Hill Valley. This route follows the story from the Twin Pines Mall car park in City of Industry through 1955 and back to the McFly home in Arleta.
Each stop is a real place that played a piece of Hill Valley; the private homes are seen from the street only.
A jazz pianist and an aspiring actress argue through the windows of their cars in a Los Angeles traffic jam, and the city itself becomes the romance: a night on a funicular, a broken projector, a kiss in a planetarium. Damien Chazelle shot La La Land in 40 days across Los Angeles in the summer of 2015, and most of the places the couple reaches for are still there.
This route follows Mia and Sebastian from the freeway ramps where they shout at each other to the jazz bar Seb finally gets to open — the 105/110 connector ramps, the Burbank café on the Warner lot, the Lighthouse Café and the pier beside it, the Rialto in South Pasadena, Griffith Observatory and Angels Flight. The film rarely names its own locations, so a few pins mark the real building that stood in for the one on screen.
Los Santos feels like Los Angeles because it is Los Angeles, compressed. Grand Theft Auto V squeezes the city's most famous miles into one playable map, from a hillside sign to a Venice boardwalk.
This tour visits seven real stand-ins behind the fiction: the hillside sign, a movie palace, a luxury shopping street, an observatory, a pier, a beach and a towered folk-art park. Every pin marks the real place, and each stop names the game location it doubles for. Expect crowds at the beach and on Hollywood Boulevard, and quiet at the towers.
Charlotte and Emily Brontë grew up in a parsonage on the edge of the Pennine moors, and the landscape of both novels still runs through the places they knew: a harsh school, a house with a famous library, a ruined farm on the heights.
The route starts at the Haworth parsonage, goes to the school behind Lowood, then up to the farms said to lie behind Thrushcross Grange and Wuthering Heights, and ends in Derbyshire at the hall behind Thornfield. Most identifications are traditional, not proven, and each pin says so.
Bella Swan moves to the rainiest corner of Washington and falls for a vampire. Stephenie Meyer picked the town of Forks by searching for rainy places, and the story then carries Bella and Edward from the Olympic Peninsula to the clock tower of Volterra in Tuscany.
The route follows the first two novels from Forks through La Push and Port Angeles to Volterra, and ends in Montepulciano, the town that played Volterra in the film. The pins mark towns, not buildings.
Two love stories shot in guerrilla style across Hong Kong in 1994: a policeman who buys cans of pineapple while he waits for a month to end, and a girl at a fast-food counter who sneaks into a policeman's flat.
The route follows the plot from a Tsim Sha Tsui nightclub to a block of guesthouses, then across the harbour to Lan Kwai Fong and the Mid-Levels escalator, and ends at Kai Tak, the old airport in Fallen Angels. Chungking Express stops are filming sites; the Midnight Express pin is approximate.
The floating Hallelujah Mountains of Pandora do not exist, but the pillars behind them do. This route follows the film from its Los Angeles capture stage to the sandstone towers of Hunan, and on to the rival claim for Huangshan and the Pandora land in Florida.
Expect inspiration rather than filming locations: the film was made largely on stages, so the Chinese pins are stand-ins and credited influences.
Two friends set out for a weekend at a fishing cabin, and one violent night at a roadhouse bar turns the trip into a run for Mexico across the American West. Ridley Scott's 1991 film is set on a route from Arkansas to the Grand Canyon, but it was filmed almost entirely in California and Utah, around Bakersfield and Moab, between June and August 1990.
This route follows the story in film order through six real places: a Long Beach bar, a Los Angeles motel, a Colorado general store, the desert at Arches, the ghost town of Cisco and the cliff edge at Dead Horse Point. Almost all of them stand in for somewhere else, and each stop says where.
A peasant girl from a Meuse valley village persuades a doubting captain, then a doubting prince, to give her an army. Within weeks of reaching Orléans in 1429 she has lifted a siege, and by July she stands beside Charles at his coronation. Barely a year later she is a prisoner, and by May 1431 she is dead.
The route follows her through nine places, from her family's house in Domrémy to the square in Rouen where she was burned. Where a building was rebuilt or the exact spot is unrecorded, the stop says so.
A CIA officer called the Protagonist joins Tenet, a secret organisation fighting a war across time. Inverted bullets and a Russian oligarch named Sator pull him from a Kyiv opera house to Mumbai, Oslo, the Amalfi Coast and Tallinn, chasing a device sent back from the future.
This route follows the film's real locations: Tallinn's Linnahall standing in for the Kyiv opera house, Colaba in Mumbai, the Oslo freeport sequence, the gardens of Villa Cimbrone above Amalfi, the Tallinn streets of the car chase and the California ghost town used for Stalsk-12. The Oslo Freeport and Stalsk-12 are fictional, so their pins mark the real places the film points to.
In 1984 Ghostbusters sent three Columbia parapsychologists into the ghost-removal business, armed with proton packs and a converted firehouse. The film turned a handful of real New York addresses into a haunted city, from the marble reading room of the New York Public Library to the apartment block that becomes Spook Central.
Most of the exterior landmarks survive and can be visited, though the Sedgewick Hotel's interiors were filmed on the other side of the country, at a grand downtown Los Angeles hotel. This route follows the film's story from the first library ghost to the rooftop battle with Gozer.
A feather drifts down onto a bench in Savannah, and a man starts to talk. His life unrolls across half a century of American history, from an Alabama childhood to the jungles of Vietnam, the Lincoln Memorial, the Watergate and a bayou shrimp boat.
This route follows the film in order, from the bench on Chippewa Square to the lighthouse in Maine and the desert where the running finally stops. It marks the real locations and the real stand-ins, since the fictional town of Greenbow and the Vietnam jungle were both played by South Carolina.
The 1965 film of Maria von Trapp's life was shot on real locations around Salzburg between March and September 1964, and almost all of them can still be visited. This route follows Maria from the mountain meadow and her abbey through the fountains and gardens of the song sequences to the villa terrace, the wedding church and the festival hall where the family sings its way to freedom.
The stops run in story order, from the Bavarian opening to the festival escape. One caveat: the famous cemetery hiding place never existed; it was a Hollywood studio set modelled on St Peter's Graveyard.
Dom Cobb is offered a clean slate — his criminal history erased as payment for implanting an idea into a target's subconscious. To pull it off he recruits a forger, a chemist and an architecture student, then takes the team down through layered dreams, from a raining city to an alpine fortress.
This route follows the 2009 shoot across four countries: the Paris bridge that folds, a fictional bistro corner, Tangier standing in for Mombasa, two Los Angeles action sites and the closed Alberta ski resort that became the snow fortress. Two stops look different today: the bistro was a temporary set and the Heim Bridge has been replaced.
Jurassic Park (1993) invents a dinosaur theme park on an island that does not exist, then shoots almost all of it on one small Hawaiian island, Kauaʻi. On 11 September 1992, the last scheduled day of the Kauaʻi shoot, Hurricane Iniki passed directly over the island and pushed one famous sequence to a ranch on Oʻahu.
Nine stops follow the film in story order: the garden of the opening attack, the stream that played a Dominican amber mine, the Kapaʻa waterfront that played a Costa Rica café, the falls every visitor flies past, the estate where the visitor centre façade stood, the gates below Mount Waiʻaleʻale, the canyon of the dead fence, the Gallimimus stampede at Kualoa Ranch and the garden where Grant finds the nest. Filming on Kauaʻi began on 24 August 1992.
The pope is dead, four cardinals have been kidnapped, and a missing vial of antimatter will destroy the Vatican at midnight. The American symbologist Robert Langdon is called in and reads the threat as a path: four altars of the "Path of Illumination", tied to the classical elements, where a cardinal will die each hour from 8 p.m. With Vittoria Vetra, a CERN scientist, he races the clock across Rome — from a Pantheon they wrongly believe holds the first answer to a fountain where a cardinal is being drowned.
This route follows Ron Howard's 2009 film rather than Dan Brown's novel: the Pantheon and Raphael's tomb, the Chigi Chapel in Santa Maria del Popolo, the obelisk in St Peter's Square, Bernini's Ecstasy of Saint Teresa, the Fountain of the Four Rivers, the assassin's lair at Castel Sant'Angelo, and the midnight finale beneath St Peter's. All of it still stands; the caveat is that Rome's diocese refused the crew access to the churches, so several interiors in the film are studio sets.
Between 1947 and 1950 Sal Paradise, a young writer from New Jersey, crosses America again and again — hitchhiking, by bus and in borrowed cars — usually in pursuit of his wild, magnetic friend Dean Moriarty. Jack Kerouac typed the story on a continuous scroll of paper in three weeks in April 1951, and it was published in 1957. Sal is Kerouac, Dean is Neal Cassady, and most of the trips really happened.
The route picks out the places the novel names, from a rainy false start on the Hudson to Mexico City and back to a New York street corner. The novel gives towns and streets rather than addresses, so most pins mark areas, not doors.
