Patrick Süskind's Perfume follows Jean-Baptiste Grenouille, born in Paris in 1738, with a gift for scent and no scent of his own. His path runs from the Innocents cemetery to a mountain cave, and then to Grasse, where his craft turns murderous.
The route follows the book from Paris to the Plomb du Cantal, Montpellier and Grasse, and ends in Barcelona, where Tom Tykwer's film rebuilt Paris. Only a few places are named exactly; the rest are approximate.
On 6 January 1482, a poet, a gypsy dancer, a deaf bellringer and a tormented priest cross paths in the Paris of Victor Hugo's imagination. It is a city of crowds, bonfires, gibbets and a cathedral that is almost a character in its own right.
This route follows the story from the Palais de Justice to the square where punishments were held, the beggars' court, the Seine bridge, Notre-Dame itself and the hilltop gibbet. Much of medieval Paris is gone, so most pins mark an area rather than a surviving building.
Horacio Oliveira, in Paris, spends his nights walking the city with the Maga and the Club de la Serpiente, until a baby's death breaks the group apart. Then the novel moves to Buenos Aires: a circus, a psychiatric clinic and a window over a courtyard.
The route follows the book's real Paris places, from the Pont des Arts to the Montparnasse cemetery, then its Buenos Aires scenes. Most Paris stops come from the Rutas Cervantes literary route; the Buenos Aires ones are invented and unpinned.
Hemingway wrote A Moveable Feast about his poor, happy early years in 1920s Paris, working from notebooks he had left in trunks at the Ritz in 1928. It was published in 1964, after his death.
This route walks the memoir's Paris: the flat on the rue du Cardinal-Lemoine, Gertrude Stein's salon, Sylvia Beach's bookshop, the cafés of Montparnasse and Saint-Germain, and the Ritz where the notebooks resurfaced. Hemingway himself said the book may be read as imagination, so treat its scenes as a memory, not a record.
Nine years after a night in Vienna, Jesse is on a book tour in Europe when Céline walks into his reading in a Paris bookshop. He has an hour before his flight, and they spend it wandering the city. Richard Linklater's 2004 film plays in real time: the story lasts about as long as the film, roughly eighty minutes.
It was shot in 15 days across Paris, and its locations jump about more than the dialogue admits. This route follows the film's order from the Left Bank bookshop through the Marais and the east of the city to the Seine and a gated courtyard in the Faubourg Saint-Antoine.
Gil Pender is a screenwriter with a nostalgia problem, in Paris with a fiancée and her wealthy parents. Every night at midnight a 1920s car pulls up and carries him back to the 1920s, among the Fitzgeralds, Hemingway and the surrealists. By day he is stuck in 2010.
This route follows the film from Monet's garden at Giverny to Pont Alexandre III, with the stops placed from a film-locations guide: where the 1920s scenes are shot you can still sit, eat and shop today. The party and flea-market scenes are approximate.
A young sailor is arrested at his own engagement party, thrown into a prison island, escapes in a dead man's burial sack, finds a hidden treasure and comes back as a count to settle accounts. This route follows Dumas's novel in order, from the Marseille lookout to the island where it ends.
Most of the stops can be visited; the island of Monte Cristo is a nature reserve with a years-long waiting list, and several scenes happen in places Dumas invented, so those pins mark the real landmark nearby.
In April 1625 an eighteen-year-old Gascon rides into the market town of Meung on a yellow pony, bound for Paris and the King's Musketeers. Dumas's novel follows D'Artagnan from that first quarrel through duels, a secret night in the Louvre, a bet made during a siege and a midnight ending on a river bank.
The route runs from the Loire to Paris, on to La Rochelle and Portsmouth, and back to the banks of the Lys. The streets, squares and palaces are real; most inns, houses and bastions are Dumas's, so several pins mark a town or a street rather than a building.
Emily, a young marketing executive, is posted to Paris to give a French agency a social-media voice, and the show follows her across the city: the little square where she lives, her office by the Palais-Royal, a Left Bank café and the gardens and monuments she drifts through. In its fourth season the story reaches Rome, where Marcello shows her the Colosseum and the Trevi Fountain.
This route gathers the places that define Emily's Paris, from the Place de l'Estrapade — where her apartment faces Gabriel's restaurant across the square — to the Café de Flore, the Jardin du Luxembourg, the Palais Garnier, Montmartre's Sacré-Cœur and the French Open at Stade Roland Garros. It ends in Rome, at the two sights that seal her move to Italy.
Dom Cobb is offered a clean slate — his criminal history erased as payment for implanting an idea into a target's subconscious. To pull it off he recruits a forger, a chemist and an architecture student, then takes the team down through layered dreams, from a raining city to an alpine fortress.
This route follows the 2009 shoot across four countries: the Paris bridge that folds, a fictional bistro corner, Tangier standing in for Mombasa, two Los Angeles action sites and the closed Alberta ski resort that became the snow fortress. Two stops look different today: the bistro was a temporary set and the Heim Bridge has been replaced.
Arno Dorian is a nobleman who walks into a trap: framed for the murder of the man who adopted him, he spends the opening hours of Unity's Paris of 1789 in a prison cell, and walks out of it an Assassin. From there he is off across the capital hunting the true powers behind the Revolution, while Napoleon, Robespierre and an Apple of Eden keep arriving before he can finish the job.
Unity rebuilds late 18th-century Paris at roughly 1:1 scale across seven districts, plus Versailles, so almost every stop here is a building you can walk to: the Bastille site, the Assassins' hideout under the Île Saint-Louis, Notre-Dame's towers, the storming of the Tuileries, the execution square that is now the Place de la Concorde, Robespierre at the Hôtel de Ville, and — with the Dead Kings expansion — a Precursor temple under the basilica at Saint-Denis. Two stops are places the game invented rather than built: that hideout and that temple.
Ron Howard's 2006 thriller, based on Dan Brown's 2003 novel, sends symbologist Robert Langdon and cryptologist Sophie Neveu from a murdered curator in the Louvre on a quest for the legendary Holy Grail — through a Paris church, a London Templar church and Newton's tomb to a Scottish chapel.
The route follows the film's trail in story order, from the Vitruvian-Man murder and the Saint-Sulpice marker to the Temple Church dead end, the APPLE cryptex at Westminster Abbey and the 'neath-the-rose finale at Rosslyn Chapel. Note the abbey scenes were filmed at Lincoln and Winchester cathedrals.
Jake Barnes, an American newspaperman wounded in the war, spends his Paris nights in the cafés of Montparnasse with Lady Brett Ashley — the woman he loves and cannot have. Then the whole crowd heads south: trout fishing in the Pyrenees, then a week of San Fermín in Pamplona, where drink, jealousy and a nineteen-year-old matador break everything open.
Hemingway built the novel from his own trips of 1924 and 1925, and almost every stop can still be visited: the café on the Boulevard du Montparnasse, the inn at Burguete, the arcade café on Pamplona's main square, the bullring, the beach at San Sebastián and the Madrid restaurant where the book's last meal is eaten.
Before The Little Prince, Antoine de Saint-Exupéry flew the mail. He flew the Aéropostale line from Toulouse, ran the Cape Juby airfield, directed an airline in Buenos Aires and survived a crash in the Sahara that later fed his most famous book.
The route follows his life in the air, from the take-off strip at Montaudran to the sea off Marseille where his plane was found. The Sahara crash site is only an educated guess.
Grigory Melekhov loves another man's wife, goes to war, and changes sides in the Civil War four times. Sholokhov's novel of the Don Cossacks grew out of the Upper Don, and its landscape is still there.
The route moves from the invented hamlet of Tatarsky to Vyoshenskaya, the stanitsa of the 1919 uprising, then to the villages where Sholokhov lived and wrote. Tatarsky and the monument are marked approximately.
A man with no memory, a safe deposit box and a CIA programme that wants him gone: Jason Bourne runs across Europe and beyond, and the films keep him on real streets, stations and squares.
The route follows the three films in order, from Zurich and Paris through Mykonos, Berlin and Moscow to London and Tangier. Several cities were stand-ins for others, so the pins mark the story's places or honest approximations.
On 16 September 1810 a parish priest in a small Mexican town called his parishioners to arms, and within weeks a vast, ill-armed army was marching on the capital. Miguel Hidalgo's revolt began Mexico's war of independence.
The route follows it from the plot in Querétaro and the Cry of Dolores through the storming of the Alhóndiga in Guanajuato, the near-miss at Mexico City and the defeat at Calderón Bridge, to the ambush in Coahuila and the execution in Chihuahua. Violence is part of the story and is named plainly.
The golden king who rafted out into a mountain lake in a coat of gold dust is a legend, first written down generations after the conquest. The gold, the Spanish expeditions, the draining of the lake and a small golden raft in a museum are history.
The route follows both threads, and each stop says which is which: Quesada's march in 1537, the lake itself, the drainage, a rival lake, the cave where a raft turned up in 1969 and the Bogotá museum that keeps it.
The French Way is the most popular route of the ancient pilgrimage to Santiago de Compostela, It starts at Saint-Jean-Pied-de-Port, crosses the Pyrenees, and from Roncesvalles on the Spanish side still runs about 780 kilometres west to Galicia. It is on the UNESCO World Heritage List.
This route follows it through seven landmarks: a mountain gate, a village of legend, a pilgrims' bridge, a great cathedral, a knights' tournament, a Galician hilltop and the tomb of St James.
Twenty years after a nuclear war, the survivors of Moscow live in the Metro, and a young man named Artyom must carry a warning from his home station across the whole network. The novel and the game built on it use real station names, so you can follow Artyom's trip on an ordinary city map.
The route runs from VDNKh in the north through Kitay-gorod, Paveletskaya and Kievskaya to the Ostankino Tower. The book and the game differ in places; where they do, the text says so. The library stop is a likely match, not a named place.
In the spring of 1890 the playwright and doctor Anton Chekhov left Moscow, crossed Siberia and sailed to Sakhalin, a convict island north of Japan, to count its inhabitants one by one. He kept the plan secret until January, travelled 82 days across Siberia, and came home months later by sea.
The route follows his way from his Moscow house through Tomsk, Irkutsk and the Amur to the penal posts of Sakhalin and back to Vladivostok. Several pins mark whole towns, because Chekhov's lodgings are not recorded.
Agent 47 has killed his way across the world in the Hitman trilogy, from a Paris fashion show to a skyscraper in Dubai. Behind the levels stand real cities, a real tower and a few real places that inspired invented ones.
This route follows nine missions from the 2016 game to Hitman 3. Most venues are fictional, so the pins mark the city or the real place the designers named as a model, and each stop says which.
The Old English poem Beowulf is set in Denmark and Sweden, and a surprising number of its kings, battles and halls turn up in Scandinavian sources and in the ground. Follow the hero from his Geatish homeland to Hrothgar's hall, then to the raid in Frisia, the royal mounds at Uppsala, and the English ship burial and library shelf where the poem survived.
Most identifications here are traditional rather than proven, and the pins say so.
On the night of 18 April 1775 Paul Revere was rowed across the Charles River, got a horse in Charlestown and rode west to warn John Hancock and Samuel Adams that British troops were on the move. He left three accounts of that night, and this route follows them rather than the poem.
It runs through nine places, from his house in North Square and the lanterns at Old North Church to the pasture in Lincoln where a British patrol stopped him, and on to Concord, which Samuel Prescott reached without him. Where a spot is only traditional, the stop says so.