Pushkin's novel in verse follows a bored St. Petersburg dandy who inherits a country estate, rejects a girl's love letter, kills his friend in a duel, and years later finds her transformed into the star of Petersburg society.
The route runs from the capital's garden walks to the road into Moscow and the exile estate where he wrote part of the book. Most places in the verse are glimpsed rather than described, so several pins are approximate or stand-ins.
In 1725 a Russian naval captain set out across a continent to answer one question: are Asia and America joined? Vitus Bering's two Kamchatka expeditions, the second of them part of the Great Northern Expedition, took years of hardship to answer it.
The route follows seven places from the Tsar's order in Saint Petersburg to Bering's death on an uninhabited island in 1741. The stops are not one continuous line, so they are shown as separate markers. Dates are Old Style (Julian), as Russian records of the time kept them; the modern calendar runs 11 days ahead.
A Russian legend, sometimes called the Russian Atlantis, says a whole city sank into a lake rather than fall to the Mongols, and that on calm days you can still hear its bells. Rimsky-Korsakov turned it into an opera, and Werner Herzog went looking for it with a camera.
The route follows the story from the folk etymology of the name, through the town said to be Little Kitezh and the forests of the Kerzhenets, to the lake itself and the St Petersburg stage where the opera first sounded. Kitezh is a legend: the places are traditional identifications, not proof.
Vasily Livanov and Vitaly Solomin's Soviet Holmes and Watson were made when filming abroad was impossible, so a Riga lane became Baker Street, a Petersburg station became Victoria and a waterfall in Abkhazia became the Reichenbach Falls.
The route follows the Lenfilm television films of 1979 to 1986 from the Riga street with the screen 221b to Peterhof, Saint Petersburg, the Gega Waterfall and Tallinn.
Danila Bagrov comes home from the First Chechen War, goes to look for his older brother in Saint Petersburg and ends up a hitman by accident. In the sequel he is in Moscow and then Chicago, chasing the men who threaten a dead friend's twin brother.
The route follows Danila through Vitebsky Station, the Adamini House, a market and a cemetery in Petersburg, then Moscow and the American stops. Several stops are filming locations standing in for the story's places.
On New Year's Eve a Moscow surgeon goes to the bathhouse with his friends, wakes up in Leningrad and walks into a flat that looks exactly like his own. The Soviet classic that Russia still watches every 31 December starts as a joke about identical buildings and ends as a love story.
The route follows Zhenya's night from his new flat and the banya to the Leningrad airport, the identical building, and the station, then back to Moscow. The caveat: both the "Leningrad" and the "Moscow" houses were shot in the same Moscow district, and the story's street had been renamed years before.
In Gogol's Petersburg nothing is what it seems: the grandest street is a liar, a nose walks about in a state councillor's uniform, and a dead clerk tears coats off passers-by. Three of his stories share one city, and most of their stops can still be walked.
The route runs along Nevsky Prospekt and its neighbouring streets, from the painter's and the lieutenant's chases in Nevsky Prospekt, through The Nose's barber, cathedral, bridge, garden and shop, to the Kalinkin Bridge where the ghost of The Overcoat is said to prowl. A few stops are approximate, since Gogol seldom gives house numbers.
On an exceptionally hot July evening a student leaves a garret "more like a cupboard than a room" and counts exactly 730 steps to a pawnbroker's door. Dostoevsky's novel plays out in the Hay Market slums, on the canal and on the bridges of the Neva, and he hid many addresses behind initials such as "S. Place" and "K. bridge".
This route follows Raskolnikov and Svidrigailov from the garret to the police office. The garret, the pawnbroker's house and the police office are researchers' identifications rather than facts, and are marked as such.
