Indiana Jones and the Last Crusade (1989) sends Indy from a Boy Scout outing in the Utah desert to the rock-cut façade of Petra, chasing the Holy Grail and his missing father. Three trials guard the cup at the end. The film borrows its scenery from half of Europe, the Middle East and the American West.
Nine stops, most of them still standing: the Arches canyons of the opening, the church façade in Venice's Campo San Barnaba that plays the library, an Eifel castle dressed as Brunwald, a San Francisco building that played Berlin's Tempelhof airport, the Almería beach where Henry brings down a fighter with an umbrella, a Granada station playing Alexandretta, the Tabernas tank chase, the Treasury that fronts the Grail's temple, and the Texas sunset the film ends on. Dates are story time; filming ran from May 1988 to early 1989.
For eighteen months in 1860 and 1861, relays of light riders on fast horses carried letters 1,900 miles from the Missouri River to California. It took about ten days, was never profitable, and was made obsolete by the telegraph within a year and a half — yet it became one of the great legends of the Old West.
The route follows the mail west through eight places: the stables where the first rider set out, a surviving station in Kansas, Fort Kearny, Julesburg, the plains where Mark Twain saw a rider flash past his stagecoach, Utah, the Nevada desert and the terminus in Sacramento. Where legend (Buffalo Bill, Twain's eight days) outruns the record, the text says so.
Two friends set out for a weekend at a fishing cabin, and one violent night at a roadhouse bar turns the trip into a run for Mexico across the American West. Ridley Scott's 1991 film is set on a route from Arkansas to the Grand Canyon, but it was filmed almost entirely in California and Utah, around Bakersfield and Moab, between June and August 1990.
This route follows the story in film order through six real places: a Long Beach bar, a Los Angeles motel, a Colorado general store, the desert at Arches, the ghost town of Cisco and the cliff edge at Dead Horse Point. Almost all of them stand in for somewhere else, and each stop says where.
Just after midnight on 6 June 1944, gliders landed beside a canal bridge at Bénouville, and by mid-morning Allied troops were ashore on five code-named beaches — Utah, Omaha, Gold, Juno and Sword — along the Normandy coast. This route visits the places where that day was won and lost, and what stands there today.
It starts with the glider coup de main at Pegasus Bridge, then runs along the coast from west to east: the museum built on the sand at Utah, the Rangers' climb at Pointe du Hoc, the American cemetery above Omaha, the concrete of the Mulberry harbour at Arromanches, the Canadian centre behind Juno and the Grand Bunker above Sword.
A smuggler named Joel is hired to carry fourteen-year-old Ellie — possibly immune to the fungus that ended the world — across a ruined America, from the Boston quarantine zone to a hospital in Salt Lake City. What starts as a delivery job becomes the closest thing either of them has left to family, ending in a hospital corridor with an impossible choice.
This route follows their road west in story order: outbreak night in Austin, the Boston handoff, Bill's trapped town, the Pittsburgh ambush, Tommy's dam settlement at Jackson, the deserted university in Colorado and the Salt Lake City hospital. The cities are real but the story sites are placed approximately, with real landmarks as pins.
