The Travels of Marco Polo runs from Venice and Acre to Kublai Khan's Xanadu, then south to Hangzhou and home again. In 1271 a seventeen-year-old Venetian set out with his father and uncle and did not come home for 24 years.
The route follows the book from Venice and Acre to the Persian Gulf, across the Pamir highlands and the desert to Kublai's summer and winter capitals, south to Hangzhou and the port of Zayton, and home again. Some of the roads are reconstructed by scholars, and Polo sometimes exaggerates, so each stop notes where the evidence is thin.
Hemingway wrote A Moveable Feast about his poor, happy early years in 1920s Paris, working from notebooks he had left in trunks at the Ritz in 1928. It was published in 1964, after his death.
This route walks the memoir's Paris: the flat on the rue du Cardinal-Lemoine, Gertrude Stein's salon, Sylvia Beach's bookshop, the cafés of Montparnasse and Saint-Germain, and the Ritz where the notebooks resurfaced. Hemingway himself said the book may be read as imagination, so treat its scenes as a memory, not a record.
Santiago, a shepherd boy from Andalusia, keeps dreaming of treasure at the Egyptian pyramids. A fortune-teller and a mysterious old king send him across the strait to Africa, where he is robbed in Tangier, falls in love at an oasis and crosses a desert of warring tribes. Paulo Coelho's 1988 fable has sold more than 150 million copies.
The route follows the boy from a ruined church to the Giza plateau and back again. The book keeps its geography loose, so most pins mark the best-known place for a scene rather than a spot the author names.
A retired detective with a fear of heights is hired to follow a friend's wife around San Francisco, because her husband fears she is possessed by Carlotta Valdes, a woman who died in 1857. Hitchcock's 1958 thriller was shot on location in San Francisco, at Mission San Juan Bautista, in Big Basin Redwoods State Park, at Cypress Point on 17-Mile Drive and at Paramount Studios in Hollywood.
This route follows the story in film order through nine places: a vanished restaurant, a Nob Hill apartment block, a mission cemetery and an art museum, a fort under the Golden Gate Bridge, a coastal kiss, a mission bell tower and a hotel with a green neon sign.
A young bear stows away from Peru, turns up at Paddington station and is taken in by the Brown family. Paul King's 2014 film follows him through a cosy London of antique shops and a gentlemen's club, while a taxidermist closes in.
Most of it was shot on real London streets. This route runs from the station to Primrose Hill, Portobello Road, Pall Mall and the Natural History Museum, with one caveat: the film's station front door is borrowed from Marylebone.
Gil Pender is a screenwriter with a nostalgia problem, in Paris with a fiancée and her wealthy parents. Every night at midnight a 1920s car pulls up and carries him back to the 1920s, among the Fitzgeralds, Hemingway and the surrealists. By day he is stuck in 2010.
This route follows the film from Monet's garden at Giverny to Pont Alexandre III, with the stops placed from a film-locations guide: where the 1920s scenes are shot you can still sit, eat and shop today. The party and flea-market scenes are approximate.
Tony Soprano's mob is a New Jersey one, and the series made a point of it: the majority of its exterior scenes were filmed on location in the state, with most interiors built at Silvercup Studios in New York.
The route follows the opening titles from the Pulaski Skyway to the Soprano house, then the pork store, the Great Falls, the Bada Bing, the Pine Barrens and the diner of the finale. The Pine Barrens episode was filmed in New York, and the house is a private home, so its pin marks only the borough.
In AD 79 a mountain above the Bay of Naples blew apart. Pliny the Younger watched from Misenum across the water, lost his uncle, the admiral Pliny the Elder, to the eruption, and years later described it for the historian Tacitus in two letters: the only eyewitness account that survives.
The route follows the eruption in the order of its events, from the mountain's first column to Pompeii, Herculaneum, the beach at Stabiae and back to Misenum. Pliny's letters never mention Pompeii or Herculaneum, so those stops come from archaeology. The traditional date is 24 August, but newer evidence points to the autumn.
Netherfield Park is let at last, and Austen's novel follows Elizabeth Bennet from her family's village to a Kent parsonage and on to Derbyshire. The houses of the book are described rather than mapped, so this route follows the real places where the 2005 film and the 1995 BBC series found them.
Nine stops follow the story in order, from Longbourn to the inn at Lambton. Each pin is a real filming site standing in for a place in the book; only Gracechurch Street is the real London street the novel itself names.
Fitzgerald set The Great Gatsby on two invented peninsulas, West Egg and East Egg, but he built them from the Long Island he knew in Great Neck, where he lived from October 1922. Behind the glamour sit a dump, a station and a hotel suite that were all real.
This route follows Nick from the Eggs through the valley of ashes, Penn Station, the Queensboro Bridge and the Plaza Hotel. The Eggs, the valley and Gatsby's house are invented, so their pins mark the real places the novel is read against.
The Hound of the Baskervilles takes Sherlock Holmes across Dartmoor: Cabell's tomb at Buckfastleigh, the ten-thirty train from Paddington, Princetown's prison and Hound Tor. A spectral hound stalks the moor.
The route runs from the grave that may have inspired the legend and the ten-thirty train from Paddington to the convict prison at Princetown, the mire, the tors and the Stapletons' house. Baskerville Hall and Merripit House exist only in the book, so their pins mark a stand-in or nothing at all.
The Count of Monte Cristo on a map: from Notre-Dame de la Garde in Marseille to the Château d'If, the island of Monte Cristo and its treasure, Rome's catacombs and the Paris of the count's revenge. A young sailor is arrested at his own engagement party, escapes in a dead man's burial sack and comes back as a count to settle accounts.
Most of the stops can be visited; the island of Monte Cristo is a nature reserve with a years-long waiting list, and several scenes happen in places Dumas invented, so those pins mark the real landmark nearby.
In April 1625 an eighteen-year-old Gascon rides into the market town of Meung on a yellow pony, bound for Paris and the King's Musketeers. Dumas's novel follows D'Artagnan from that first quarrel through duels, a secret night in the Louvre, a bet made during a siege and a midnight ending on a river bank.
The route runs from the Loire to Paris, on to La Rochelle and Portsmouth, and back to the banks of the Lys. The streets, squares and palaces are real; most inns, houses and bastions are Dumas's, so several pins mark a town or a street rather than a building.
L.A. Noire rebuilds Los Angeles in 1947 with fanatical care: the studio mapped the real streets, modelled building interiors on the originals, and filled the map with the city's landmarks. Detective Cole Phelps drives that recreation through traffic, homicide, vice and arson cases, and much of the city he moves through is still standing.
This tour follows the real places behind the game's map, from Union Station and Bunker Hill to Wilshire's art deco and the Hollywood movie palaces, then down to the river where the story ends. Every pin marks a real site the game put on its streets.
Emily, a young marketing executive, is posted to Paris to give a French agency a social-media voice, and the show follows her across the city: the little square where she lives, her office by the Palais-Royal, a Left Bank café and the gardens and monuments she drifts through. In its fourth season the story reaches Rome, where Marcello shows her the Colosseum and the Trevi Fountain.
This route gathers the places that define Emily's Paris, from the Place de l'Estrapade — where her apartment faces Gabriel's restaurant across the square — to the Café de Flore, the Jardin du Luxembourg, the Palais Garnier, Montmartre's Sacré-Cœur and the French Open at Stade Roland Garros. It ends in Rome, at the two sights that seal her move to Italy.
Hill Valley is fictional, but almost all of it is Los Angeles. The 1985 film sends Marty McFly thirty years back to a small California town, and the filmmakers built its square on a studio backlot and dressed real malls, schools, churches and houses around the city as Hill Valley. This route follows the story from the Twin Pines Mall car park in City of Industry through 1955 and back to the McFly home in Arleta.
Each stop is a real place that played a piece of Hill Valley; the private homes are seen from the street only.
The Galar region is Britain played back as a game: a fictional land inspired by the United Kingdom, dotted with landmarks that recall Bath and York, crowned by a London of clock towers and football-stadium gyms. Eight gym cities, eight badges, and then the Champion's Cup in Wyndon, where Leon waits and the Darkest Day breaks.
This route walks the real Britain behind that map, south to north and then beyond: a chalk giant, a lighthouse, Roman baths, a minster, a national stadium and a clock tower, plus the two downloadable lands, the Isle of Man and the snows of Scotland. Every identification is a fan or developer reading, never confirmed in the games, so every pin here is speculative.
The BBC's Sherlock Holmes and his flatmate, army doctor John Watson, solve crimes in present-day London, from a killer's phone traced to their own doorstep to a dominatrix with compromising photographs and a criminal who cracks the Crown Jewels from his mobile. Six stops follow the first three series in order: the 221B front door on North Gower Street, the Baker Street museum, a summons to Buckingham Palace, Moriarty's Tower heist, the hospital rooftop finale and a bomb under Parliament.
Most stops are London landmarks you can see from the street; the 221B door is a private house, and the palace, Tower, hospital and Parliament appear as the show's story settings.
A famous American actress walks into a Notting Hill travel bookshop, and its shy owner falls for her: that is the whole of Notting Hill, and somehow it is enough. Hugh Grant stammers, Julia Roberts glows, and London plays itself, from the market street of Portobello Road to a midnight garden and a press conference at the Savoy.
The route follows the film in story order, from the bookshop at 142 Portobello Road and the blue door at 280 Westbourne Park Road to the Ritz, a birthday party, the private garden, the Henry James set at Kenwood House and the Savoy finale. The flat interiors were studio sets and the garden is private, so some pins are for looking rather than entering.
Tommy sets out for Seattle to hunt Abby, and Ellie and Dina follow him into a ruined city where the WLF militia and a cult, the Seraphites, fight for control. The Last of Us Part II plays the same three days twice: first as Ellie, then as Abby. The city is the real one: Naughty Dog chose Seattle for its hills and varied weather, and its artists travelled there to study the architecture, vegetation and topography.
This route follows both runs. Ellie's: the synagogue they call the Dome, the Pinnacle Theatre, the convention centre and its stalkers, the hospital and the aquarium. Abby's: the stadium she lives in, the Great Wheel of her memories, the Chinatown Gate and the Space Needle seen from the island. Many of the game's buildings carry new names; each stop names the real one behind it.
Indiana Jones and the Last Crusade (1989) sends Indy from a Boy Scout outing in the Utah desert to the rock-cut façade of Petra, chasing the Holy Grail and his missing father. Three trials guard the cup at the end. The film borrows its scenery from half of Europe, the Middle East and the American West.
Nine stops, most of them still standing: the Arches canyons of the opening, the church façade in Venice's Campo San Barnaba that plays the library, an Eifel castle dressed as Brunwald, a San Francisco building that played Berlin's Tempelhof airport, the Almería beach where Henry brings down a fighter with an umbrella, a Granada station playing Alexandretta, the Tabernas tank chase, the Treasury that fronts the Grail's temple, and the Texas sunset the film ends on. Dates are story time; filming ran from May 1988 to early 1989.
Tatooine is the Star Wars desert everyone knows, but the films kept finding other corners of the Earth for their galaxy: redwoods in northern California, a villa on Lake Como, a plaza in Seville, the desert around an oasis in Abu Dhabi, a monastery island off County Kerry and the largest salt flat in the world, in Bolivia.
This route follows the shooting in the order the films were made, from the Endor forest of Return of the Jedi to the Crait battle of The Last Jedi. Two stops mark an area rather than a spot: the Endor scenes were partly shot on private land, and no source names the stretch of desert that stood in for Jakku.
Outlander's Scotland: the standing stones of Craigh na Dun near Kinloch Rannoch, Doune as Castle Leoch, Culross as Cranesmuir and Culloden moor. Claire, a twentieth-century nurse, touches a stone and wakes in 1743; a highlander knocks out the officer chasing her, and she marries Jamie Fraser to stay out of his reach.
They start near Kinloch Rannoch, where the production found its Craigh na Dun, then move to the real castles and villages playing Castle Leoch, Fort William, Cranesmuir and Lallybroch, and to a Fife castle standing in for a French abbey. The last stop is Culloden, the moor where Claire and Jamie say goodbye in the second-season finale.
One caveat: the standing stones on screen are a built set. The Bronze Age Clava Cairns near Inverness that fans often visit are said to have inspired them, but they are not where the circle was filmed.
A jazz pianist and an aspiring actress argue through the windows of their cars in a Los Angeles traffic jam, and the city itself becomes the romance: a night on a funicular, a broken projector, a kiss in a planetarium. Damien Chazelle shot La La Land in 40 days across Los Angeles in the summer of 2015, and most of the places the couple reaches for are still there.
This route follows Mia and Sebastian from the freeway ramps where they shout at each other to the jazz bar Seb finally gets to open — the 105/110 connector ramps, the Burbank café on the Warner lot, the Lighthouse Café and the pier beside it, the Rialto in South Pasadena, Griffith Observatory and Angels Flight. The film rarely names its own locations, so a few pins mark the real building that stood in for the one on screen.
