Netflix's Continent was built from a patchwork of real places: a Hungarian fort, a village museum, a former monastery, Canary Islands coasts and a ruined Polish castle.
This route follows season one's shoot from October 2018 to May 2019: Cintra and Marnadal in Hungary, Aretuza and Ciri's desert in the Canary Islands, and Sodden Hill at Ogrodzieniec in Poland. Filming spots only; the Continent itself is invented.
Port Royal and Tortuga were built on a quiet St Vincent bay, Cannibal Island is Dominican rainforest, and a private Bahamian cay sits behind a famous duel.
This route follows the shoots from St Vincent in 2002 through Dominica in 2005 to Grand Bahama, where the ships were filmed in a hurricane season. Most pins mark areas, not exact sets; the sets themselves were built and taken down.
Bong Joon-ho's celebrated thriller follows the Kim family from a semi-basement flat to a rich family's villa, and the film's stairs make the class divide physical. The real shops, stairs and tunnel behind those scenes can still be walked across Seoul.
The route runs from a corner store in Ahyeon-dong to the Jahamun Tunnel and the Goyang flood set. Both family homes were sets, so the houses themselves are not on the map.
In 1327 a Franciscan detective and his young novice arrive at a Benedictine abbey in northern Italy, and monks begin to die. Umberto Eco's abbey is invented, but it was assembled from real places, and Jean-Jacques Annaud's 1986 film built another one from sets and a German monastery.
This route follows the borrowed pieces of the book, from the Sacra di San Michele to the portal at Moissac, then the places that played the abbey on screen. Pins for the book's models are traditional identifications, not locations named in the novel.
Three provincial girls, a dormitory and a city that does not believe in tears: the Oscar-winning Soviet melodrama follows Katerina from a borrowed high-rise flat in 1958 to the director's chair twenty years later.
The route visits the places the film was shot or set, from the Kudrinskaya tower and Gogol Boulevard to the Klin factory and the round house of the final credits. Most pins mark the shooting location, not a scene's exact spot.
In the Soviet series Seventeen Moments of Spring, a spy named Stierlitz serves in the SS in Berlin in the last weeks of the Second World War. Very little of it was filmed in the Berlin of 1945.
This route follows the story through the places that played its settings, from a Moscow-region park posing as the Bavarian Forest to Riga, Meissen and the hills of Georgia standing in for Bern and the Alps. Every pin marks a stand-in, not a place from the plot.
In the early 1900s a Russian army surveyor, Vladimir Arsenyev, mapped the wild Ussuri taiga with the help of Dersu Uzala, an indigenous hunter who read the forest better than any map. Arsenyev's memoir became a classic, and Akira Kurosawa turned it into an Oscar-winning film in 1975.
The route follows the story from Vladivostok to Lake Khanka and the Sikhote-Alin, then to Khabarovsk, Dersu's lost grave and the film's shooting base. Pins mark regions and towns, not exact campsites.
Red Army soldier Sukhov wants only to go home to his wife, but the desert keeps handing him other people's problems: a man buried to the neck, a harem left in his care, a bandit leader on the loose. The 1969 Soviet classic turned a handful of desert locations into film legend.
The route follows the shoot in two expeditions: the Caspian shore and the Sarykum dune in Dagestan, then the Karakum sands and the ruins of Merv in Turkmenistan. Several stops are approximate, because the film's village was a temporary set.
Bridgerton is set in London, but most of its streets are in Bath, its parks are in Wiltshire and its family home is in Greenwich.
This route follows the filming locations from the Royal Crescent and Lady Danbury's house in Bath, through London and Kent, to the country houses that played Clyvedon and Aubrey Hall in the first two seasons.
Tommy Shelby's gang rules 1919 Birmingham, but the streets, trains and mansions you see on screen are mostly somewhere else.
The route follows the story from Small Heath, through the Liverpool street that played Watery Lane, a Yorkshire railway, Aunt Polly's village and the Black Country, to Bradford's warehouses, Tommy's country house and the beach where series 4 ends. Most pins mark stand-ins, labelled as such.
David Lean's 1962 epic follows T. E. Lawrence through the Arab Revolt, but most of its Arabia was built in Spain. Seville played Cairo, Jerusalem and Damascus, while Almería and a beach near Carboneras supplied the desert and a whole replica of Aqaba.
The route follows the story's order and keeps history apart from the film's shooting locations. Stops say plainly whether they show what happened in 1917 or where the cameras stood.
Bella Swan moves to the rainiest corner of Washington and falls for a vampire. Stephenie Meyer picked the town of Forks by searching for rainy places, and the story then carries Bella and Edward from the Olympic Peninsula to the clock tower of Volterra in Tuscany.
The route follows the first two novels from Forks through La Push and Port Angeles to Volterra, and ends in Montepulciano, the town that played Volterra in the film. The pins mark towns, not buildings.
Two love stories shot in guerrilla style across Hong Kong in 1994: a policeman who buys cans of pineapple while he waits for a month to end, and a girl at a fast-food counter who sneaks into a policeman's flat.
The route follows the plot from a Tsim Sha Tsui nightclub to a block of guesthouses, then across the harbour to Lan Kwai Fong and the Mid-Levels escalator, and ends at Kai Tak, the old airport in Fallen Angels. Chungking Express stops are filming sites; the Midnight Express pin is approximate.
The floating Hallelujah Mountains of Pandora do not exist, but the pillars behind them do. This route follows the film from its Los Angeles capture stage to the sandstone towers of Hunan, and on to the rival claim for Huangshan and the Pandora land in Florida.
Expect inspiration rather than filming locations: the film was made largely on stages, so the Chinese pins are stand-ins and credited influences.
Ang Lee's wuxia romance sends a retired swordsman, a runaway governor's daughter and a stolen sword across a China that was assembled from many places. The film began shooting in Xinjiang on 31 July 1999 and then moved to the Jiangnan region and Beijing.
This route follows the story through the real locations behind it: a desert ghost city, two Anhui villages, the Anji bamboo forest, and Cangyan Mountain, which plays the fictional Wudang. The real Mount Wudang sits in the story, but the film was not shot there.
Game Science scanned real Chinese temples, pagodas and statues to build Black Myth: Wukong, and most of the sites on its list of filming locations are in Shanxi: 27 of 36.
This route visits seven of them, from the cliff-hung temple near Datong to a tower in Yongji. Each is tied to the game by Wikipedia or a published location guide, but the game does not say which scene copies which site.
Sergio Leone's "spaghetti westerns" put the American West in southern Spain. Their Almería desert towns and the sets built for those films still stand.
The route follows the desert and the white village of Los Albaricoques through three Leone films: A Fistful of Dollars, For a Few Dollars More and Once Upon a Time in the West. One stop lies over the border in Granada province.
Pedro Almodóvar has shot the majority of his films in Madrid, and Madrid's tourism office lists the exact streets, bars and squares where his scenes happened.
The route follows eight filming spots in order of release, from the El Rastro bar of Labyrinth of Passion in 1982 to the Comendadoras square of Parallel Mothers in 2021, with one detour to Almagro in La Mancha for Volver.
Andrei Tarkovsky's Zone, a fenced-off wilderness where a guide takes a writer and a professor toward a Room said to grant wishes, was largely shot around Tallinn, Estonia, among abandoned hydropower plants, a power station and an old chemical works.
This route follows the film's story through those places: the factory and power plant seen before the Zone, the gate, the river plants where the journey was shot, a highway bridge and the power station that smokes behind the final homecoming. Exact spots are often unrecorded, so most pins are approximate.
Vasily Livanov and Vitaly Solomin's Soviet Holmes and Watson were made when filming abroad was impossible, so a Riga lane became Baker Street, a Petersburg station became Victoria and a waterfall in Abkhazia became the Reichenbach Falls.
The route follows the Lenfilm television films of 1979 to 1986 from the Riga street with the screen 221b to Peterhof, Saint Petersburg, the Gega Waterfall and Tallinn.
Semyon Gorbunkov, a modest Soviet economist on his first trip abroad, slips on a watermelon rind in Istanbul, says "Damn it!" and ends up with a smugglers' plaster cast full of jewels on his arm. Gaidai's 1968 comedy needed a foreign city, and found it in Baku.
The route follows the film across its filming sites: the old streets and palace of Baku that play Istanbul, then the southern coast and a Moscow wasteland that play the heroes' home town. Only the Baku and Kiselyov Rock stops are pinned to a specific place; the rest are approximate.
Danila Bagrov comes home from the First Chechen War, goes to look for his older brother in Saint Petersburg and ends up a hitman by accident. In the sequel he is in Moscow and then Chicago, chasing the men who threaten a dead friend's twin brother.
The route follows Danila through Vitebsky Station, the Adamini House, a market and a cemetery in Petersburg, then Moscow and the American stops. Several stops are filming locations standing in for the story's places.
Takumi Fujiwara delivers tofu every morning in his father's old Toyota AE86, and without knowing it he becomes the fastest downhill driver in Gunma. Shuichi Shigeno's street racing manga sends him against rival teams from mountain after mountain.
Some names are fictionalized, but all of the locations in the series are based on actual places in Japan. The route follows them from Mount Haruna, the real Akina, to Akagi, Myōgi and Irohazaka, then returns to the lake and to the museum that keeps the tofu shop's storefront.
Ridley Scott's 2005 epic follows Balian, a French blacksmith turned Baron of Ibelin, from his village to Messina, Jerusalem, Kerak, the desert defeat at Hattin and the siege that ends the film. Every stop pairs a scene with the place where it was shot, or with the real place the scene stands for.
The film was made in Spain and Morocco, not the Holy Land, so the route moves between sets and history. Where the film departs from the record, the stop says so: the historical Balian was a prominent lord of the Kingdom of Jerusalem, not a French artisan.
