Goethe's Faust sends its hero from the student tavern of Auerbachs Keller in Leipzig to the witches' mountain of the Brocken in the Harz, then on to ancient Greece around Farsala, Sparta and Arcadia.
The route follows Mephistopheles' bargain across Faust I and II, from the drunken revelers of Leipzig to the Walpurgis Night on the Brocken and the classical world of Helen of Troy. Leipzig and the Brocken are real places in the play; the Greek stops are stage settings with approximate pins.
Gereon Rath arrives from Cologne in 1929 to a Berlin of police headquarters, cabarets and armed conspiracies. The series follows him and Charlotte Ritter from the May Day riots through the fall of the Weimar Republic to Hitler's first weeks in power, mixing real streets with sets and stand-ins.
This route visits the places the story names and the buildings that played them: the Rotes Rathaus as the police headquarters, the real Moka Efti, the Anhalter goods yard, the Hermannplatz U-Bahn, a Duisburg steelworks, the Theater am Schiffbauerdamm, Schloss Drachenburg and the Volksbühne. Some stops are exact; others are stand-ins far from Berlin.
Troy has fallen. Aeneas, a Trojan prince, carries his old father out of the burning city and sets sail with the survivors to find the new homeland the gods have promised them. Virgil's Aeneid, written for Augustus in the 20s BC, follows years of wrong turns, storms and prophecies until the exiles land in Italy, where their descendants will one day found Rome.
This route follows the voyage in the order it happens, which is not the order Virgil tells it: the poem opens in Carthage and lets Aeneas recount the earlier wanderings to Queen Dido. Every stop is a real ancient site, most now open as archaeological parks; Aeneas himself belongs to legend. Quotations are from John Dryden's 1697 translation.
