A few hundred Cossacks, a Stroganov fortress on the Kama and a khan's capital on the Irtysh: in four years Yermak turned a raid into the Russian entry into Siberia.
The route follows the campaign from Orel-gorodok over the Urals to the battle at Chuvash Cape, the fall of Qashliq, Yermak's death at the Vagay and the founding of Tobolsk. Dates differ between chronicles and modern sources, and the sources mark the death site and the legends as uncertain; the notes at each stop say which.
Red Army soldier Sukhov wants only to go home to his wife, but the desert keeps handing him other people's problems: a man buried to the neck, a harem left in his care, a bandit leader on the loose. The 1969 Soviet classic turned a handful of desert locations into film legend.
The route follows the shoot in two expeditions: the Caspian shore and the Sarykum dune in Dagestan, then the Karakum sands and the ruins of Merv in Turkmenistan. Several stops are approximate, because the film's village was a temporary set.
A Russian legend, sometimes called the Russian Atlantis, says a whole city sank into a lake rather than fall to the Mongols, and that on calm days you can still hear its bells. Rimsky-Korsakov turned it into an opera, and Werner Herzog went looking for it with a camera.
The route follows the story from the folk etymology of the name, through the town said to be Little Kitezh and the forests of the Kerzhenets, to the lake itself and the St Petersburg stage where the opera first sounded. Kitezh is a legend: the places are traditional identifications, not proof.
In 1466 or 1468 a merchant from Tver set out down the Volga to trade around the Caspian Sea. He was robbed on the way, crossed Persia, sailed from Hormuz to India and wrote down what he saw in A Journey Beyond the Three Seas.
This route follows him from Tver through Derbent, Hormuz and the coast of India to Bidar, and home to Caffa on the Black Sea. Dates are debated, and most stops are marked by area only because his notes name towns rather than buildings.
