The Walking Dead was filmed across Georgia, with downtown Atlanta, Bellwood Quarry, the Cobb Energy Centre and Senoia standing in for its apocalyptic sets.
This route follows the show from Rick's first ride into Atlanta, through the survivors' camp at the quarry and the CDC, then south to the town that became Woodbury and to Rick's home town, and on to Alexandria and the Kingdom. Most of the stops are on public streets or in public parks; the two studio-lot stops sit on private land.
Pushkin's novel in verse follows a bored St. Petersburg dandy who inherits a country estate, rejects a girl's love letter, kills his friend in a duel, and years later finds her transformed into the star of Petersburg society.
The route runs from the capital's garden walks to the road into Moscow and the exile estate where he wrote part of the book. Most places in the verse are glimpsed rather than described, so several pins are approximate or stand-ins.
A seventeen-year-old heir is sold to a brig bound for the colonies, wrecked off Mull, and thrown into the heather beside a fugitive named Alan. Stevenson's chase carries them from the Firth of Forth through Appin and the Highlands to the bridge at Stirling.
The route follows David's journey in chapter order, from the Queensferry inn where he is handed over to the old bridge where the pair cross the Forth. Several scenes rest on real events, such as the Appin murder and Cluny MacPherson's hiding place.
Horacio Oliveira, in Paris, spends his nights walking the city with the Maga and the Club de la Serpiente, until a baby's death breaks the group apart. Then the novel moves to Buenos Aires: a circus, a psychiatric clinic and a window over a courtyard.
The route follows the book's real Paris places, from the Pont des Arts to the Montparnasse cemetery, then its Buenos Aires scenes. Most Paris stops come from the Rutas Cervantes literary route; the Buenos Aires ones are invented and unpinned.
Njáls saga is set in real places in south Iceland: Gunnar meets his wife at Þingvellir, makes his last stand at Hlíðarendi, and Njáll's farm at Bergþórshvoll burns. Two friends, one famed for strength and one for wisdom, are dragged by a chain of insults and killings towards a night of fire.
The route runs from the national assembly at Þingvellir, where Gunnar meets his future wife, through Gunnar's farm at Hlíðarendi, an ice-bank leap on the Markarfljót and the Law Rock, to Njáll's farm at Bergþórshvoll. The saga names the farms, but not every exact spot, so some pins mark the area.
Toru Watanabe, a drama student in late-1960s Tokyo, looks back on the years he spent between two women: Naoko, the fragile girlfriend of his dead best friend, and Midori, a classmate who is everything Naoko is not. Haruki Murakami's 1987 novel made him a superstar in Japan.
The route follows Watanabe across the city: his dormitory, a long Sunday walk by the moat, Naoko's apartment in Kokubunji, the campus, the streetcar to Midori's neighbourhood, a house at the edge of Kichijōji and the platform at Ueno. Murakami drew on his own student years, but the novel's dormitory and university are invented, so those two pins mark real stand-ins.
Tommy sets out for Seattle to hunt Abby, and Ellie and Dina follow him into a ruined city where the WLF militia and a cult, the Seraphites, fight for control. The Last of Us Part II plays the same three days twice: first as Ellie, then as Abby. The city is the real one: Naughty Dog chose Seattle for its hills and varied weather, and its artists travelled there to study the architecture, vegetation and topography.
This route follows both runs. Ellie's: the synagogue they call the Dome, the Pinnacle Theatre, the convention centre and its stalkers, the hospital and the aquarium. Abby's: the stadium she lives in, the Great Wheel of her memories, the Chinatown Gate and the Space Needle seen from the island. Many of the game's buildings carry new names; each stop names the real one behind it.
James Joyce's Ulysses is one ordinary day, 16 June 1904, in Dublin, told in eighteen episodes through Leopold Bloom, a Jewish advertisement canvasser, and Stephen Dedalus, who starts the day in a tower by the sea. This route walks the day in the order the novel runs it: from the Martello tower at Sandycove where it opens to Howth Head, where Molly Bloom's memory ends it with a yes.
Almost every stop is a place you can still stand in: the tower where Joyce stayed in 1904, the strand Stephen walks, the street of the chemist's where Bloom buys soap, the cemetery of the funeral, the pub where he eats his sandwich, the library where he passes between Stephen and Mulligan, the quay of the Ormond Hotel and the maternity hospital. The last stop is a recollection rather than a setting: the novel never says where on Howth Head the two of them lay.
After a first season in Malta, the show crossed the Adriatic to a walled city. Dubrovnik's two-kilometre ramparts, the fortress above its western gate and its late-medieval streets played King's Landing for everything the effects departments could not invent: the name-day combats, the riot at the gate, Cersei's walk of atonement.
Eight stops run in the order the episodes aired — Lovrijenac and the Pile Gate in the second season, the Rector's Palace when Dubrovnik doubled as Qarth, the Red Keep's gardens at Trsteno and the Meereen stand-in at Klis in the third and fourth, and the Jesuit stairs where the fifth-season finale was shot in October 2014. Only the exteriors live here: the Red Keep and the Sept of Baelor were computer-generated.
In Indiana Jones and the Great Circle (MachineGames, 2024), set in 1937, the trail of a stolen mummified cat runs from the Vatican and Giza to Shanghai and Sukhothai. Indy races the Nazi archaeologist Emmerich Voss around this "Great Circle" of sacred sites — a story Todd Howard conceived for the game.
The circle and its secret are pure adventure fiction, but its stops are real: the Vatican, Giza, wartime Shanghai, the ruined Thai capital of Sukhothai and the ziggurat of Ur. The designers rebuilt them from books and photographs as they would have looked in the 1930s. This route follows the main story.
In December 1831 a 22-year-old Cambridge graduate with a passion for beetles and rocks sailed from Plymouth as an unpaid naturalist on HMS Beagle, a ten-gun survey brig. The voyage was meant to take two years and took five. Charles Darwin came home with crates of fossils, skins and notebooks — and with questions about the islands that would lead him, two decades later, to On the Origin of Species.
The route follows the ship around the world in order, using Darwin's own Journal of Researches for dates and details: the volcanic Cape Verde islands, the Brazilian forest, the fossil beds of Argentina, Tierra del Fuego, a great Chilean earthquake, the Galápagos, Cape Town and home to Falmouth.
In spring 1689 the poet Matsuo Bashō gave up his hut in Edo and set off on foot with his friend and disciple Kawai Sora into Oku, the remote north of Japan. For about 156 days and some 2,400 kilometres they walked to the places the old poets had made famous — a barrier gate, a bay of pine islands, a battlefield, a mountain temple — and Bashō answered them with haiku.
The travel diary he made of it, Oku no Hosomichi, published in 1702, is one of the classics of Japanese literature, and its stops are still pilgrimage sites. Bashō polished the facts for art; Sora's own diary shows where. Dates follow the old lunar calendar, so they are given here by season.
On 16 June 1994 an American, Jesse, and a French student, Céline, meet on a train from Budapest. He talks her into getting off with him in Vienna, and with no money for a hotel they walk the city all night, talking about love, death and everything else until his flight leaves in the morning. Richard Linklater's 1995 film was shot entirely in Vienna and began a trilogy that continued in Before Sunset and Before Midnight.
The film strings its locations together as if they were a single walk; in reality they are scattered across the city, from the outer districts to the Danube. This route visits them in the order of the night.
Peter Jackson shot all three Lord of the Rings films at once, in 438 days between October 1999 and December 2000, at more than 150 locations across New Zealand's North and South Islands. Farmland became the Shire, a regional park became Rivendell, a lonely hill in Canterbury became the capital of Rohan, and a volcano in Tongariro National Park stood in for Mount Doom.
This route follows Frodo's story through eight of those places, most of them easy to visit. Some sets were rebuilt for visitors; others were removed and the land returned to how it was. The mountains of Tongariro are sacred to local Māori, so please admire the summits from below.
