A young bear stows away from Peru, turns up at Paddington station and is taken in by the Brown family. Paul King's 2014 film follows him through a cosy London of antique shops and a gentlemen's club, while a taxidermist closes in.
Most of it was shot on real London streets. This route runs from the station to Primrose Hill, Portobello Road, Pall Mall and the Natural History Museum, with one caveat: the film's station front door is borrowed from Marylebone.
Jesse and Céline are now a couple with twin daughters, on a summer holiday in southern Greece. Before Midnight, the third and final film of Richard Linklater's Before trilogy, was shot in 15 days on the Peloponnese coast and turns one last night into a long, honest argument about love.
The route follows the film from an airport farewell to a writer's house, a castle, a harbour town and a resort hotel. The filmmakers have named few exact addresses, so the Pylos and hotel stops are approximate.
Nine years after a night in Vienna, Jesse is on a book tour in Europe when Céline walks into his reading in a Paris bookshop. He has an hour before his flight, and they spend it wandering the city. Richard Linklater's 2004 film plays in real time: the story lasts about as long as the film, roughly eighty minutes.
It was shot in 15 days across Paris, and its locations jump about more than the dialogue admits. This route follows the film's order from the Left Bank bookshop through the Marais and the east of the city to the Seine and a gated courtyard in the Faubourg Saint-Antoine.
Gil Pender is a screenwriter with a nostalgia problem, in Paris with a fiancée and her wealthy parents. Every night at midnight a 1920s car pulls up and carries him back to the 1920s, among the Fitzgeralds, Hemingway and the surrealists. By day he is stuck in 2010.
This route follows the film from Monet's garden at Giverny to Pont Alexandre III, with the stops placed from a film-locations guide: where the 1920s scenes are shot you can still sit, eat and shop today. The party and flea-market scenes are approximate.
Rachel Chu, a Chinese American economics professor, flies to Singapore with her boyfriend Nick for his best friend's wedding and learns that Nick's family is among the richest in the country. Jon M. Chu's 2018 film follows her from the airport to a mahjong table where she faces down his mother.
This route visits nine places from the film, in story order. Several of the story's places were filmed in Malaysia instead of Singapore: the Young family estate in Kuala Lumpur, the island parties on Langkawi and the mahjong parlor in Penang.
Studio Ghibli's worlds feel lived-in because Miyazaki went to look at real places: a Welsh mining museum for the village in Castle in the Sky, Visby for the town of Kiki's Delivery Service, the harbour of Tomonoura before Ponyo. Other links are only rumoured, and he has denied at least one, the town of Jiufen in Taiwan for Spirited Away.
This route follows eight films in release order, from 1986 to 2008, and pairs each with the real place reported as its inspiration. Only some of these identifications come from Miyazaki himself, so every stop says whose claim it is, and none of them is a filming location.
Bob is a fading American movie star in Tokyo to advertise whiskey; Charlotte is a disillusioned recent graduate, married for two years. Both are far from home, and they find each other at the Park Hyatt Tokyo.
The route follows their story in the film's order: the neon streets of Shinjuku, the hotel, Shibuya Crossing and a karaoke room, then Charlotte's day trip to Kyoto Station, Nanzen-ji and Heian Shrine. Coppola shot for just 27 days, many of its locations in real places of business and public areas. The karaoke branch is pinned approximately.
A man known as the Professor recruits eight robbers named after cities, puts them in red jumpsuits and Salvador Dalí masks, and sends them into the Royal Mint of Spain. Two heists later, the target is the Bank of Spain.
Neither building is what it seems: the Mint is the headquarters of Spain's national research council, and the bank is a government ministry. The route follows the Madrid places where the series was filmed, in story order, from a farm estate in Torrelodones to a staircase in the Casino de Madrid.
Tony Soprano's mob is a New Jersey one, and the series made a point of it: the majority of its exterior scenes were filmed on location in the state, with most interiors built at Silvercup Studios in New York.
The route follows the opening titles from the Pulaski Skyway to the Soprano house, then the pork store, the Great Falls, the Bada Bing, the Pine Barrens and the diner of the finale. The Pine Barrens episode was filmed in New York, and the house is a private home, so its pin marks only the borough.
Twin Peaks is set five miles from the Canadian border, but its exteriors come from the Snoqualmie Valley, all around 25–30 miles from Seattle. David Lynch and Mark Frost found the places they had written into the pilot in Snoqualmie, North Bend and Fall City.
This route follows the series through five of them: the falls from the opening titles, the road with the welcome sign, the hotel, the sheriff's station and the diner. Most interiors were built on sets in a San Fernando Valley warehouse, so these stops are exteriors, and the Reinig Road pin marks the road, not one spot.
HBO's Game of Thrones prequel was filmed primarily in the United Kingdom, and its Velaryon world is Cornish: the island seat of Driftmark is a tidal island, and the Stepstones war camp is a cove on the Lizard peninsula. For the capital and the free city of Pentos, the crew went to western and southern Spain.
The route follows the story from the Stepstones war (season 1, episode 3) through the Driftmark episodes to King's Landing in season 2. Sources do not name the exact streets used in Cáceres, so that pin marks the old town.
Downton Abbey is set on a fictional Yorkshire estate between 1912 and 1925, but its great house stands in Hampshire and its village in Oxfordshire. This route follows the story, from the Titanic news of series 1 to the royal visit of the 2019 film, to the real places behind it.
It takes in Highclere Castle, Bampton's church and library, a prison in Lincoln, castles in Scotland and Northumberland, the Ealing stage where the kitchen was built, and the film's parade village and York streets. Lacock's pin marks the village, as the sources name no exact spot.
Netherfield Park is let at last, and Austen's novel follows Elizabeth Bennet from her family's village to a Kent parsonage and on to Derbyshire. The houses of the book are described rather than mapped, so this route follows the real places where the 2005 film and the 1995 BBC series found them.
Nine stops follow the story in order, from Longbourn to the inn at Lambton. Each pin is a real filming site standing in for a place in the book; only Gracechurch Street is the real London street the novel itself names.
Hawkins, Indiana, is the town where nothing ever happens — until a boy vanishes and a girl walks out of the woods. None of it is real Indiana. The show built Hawkins out of small-town Georgia: the square in Jackson, a shuttered psychiatric hospital near Atlanta, a dead shopping mall in Duluth.
This route follows the real stand-ins, from the laboratory where the story begins to the quarry, the school, the Starcourt Mall, the mansion that became the Creel House, and the Vilnius prison that stood in for Kamchatka.
Emily, a young marketing executive, is posted to Paris to give a French agency a social-media voice, and the show follows her across the city: the little square where she lives, her office by the Palais-Royal, a Left Bank café and the gardens and monuments she drifts through. In its fourth season the story reaches Rome, where Marcello shows her the Colosseum and the Trevi Fountain.
This route gathers the places that define Emily's Paris, from the Place de l'Estrapade — where her apartment faces Gabriel's restaurant across the square — to the Café de Flore, the Jardin du Luxembourg, the Palais Garnier, Montmartre's Sacré-Cœur and the French Open at Stade Roland Garros. It ends in Rome, at the two sights that seal her move to Italy.
In Mission: Impossible – Dead Reckoning Part One, Ethan Hunt races a rogue artificial intelligence called the Entity for a two-piece key that can control it. The chase crosses the Empty Quarter, Abu Dhabi, Rome and Venice before a night train runs into the Alps and a bridge is blown.
Almost every stop is a real place: the desert and airport in the Emirates, a car chase through Rome, a party at the Doge's Palace, a cliff jump at Hellesylt in Norway, and the Alpine train sequence doubled on a Yorkshire heritage railway and in a Peak District quarry.
A CIA officer called the Protagonist joins Tenet, a secret organisation fighting a war across time. Inverted bullets and a Russian oligarch named Sator pull him from a Kyiv opera house to Mumbai, Oslo, the Amalfi Coast and Tallinn, chasing a device sent back from the future.
This route follows the film's real locations: Tallinn's Linnahall standing in for the Kyiv opera house, Colaba in Mumbai, the Oslo freeport sequence, the gardens of Villa Cimbrone above Amalfi, the Tallinn streets of the car chase and the California ghost town used for Stalsk-12. The Oslo Freeport and Stalsk-12 are fictional, so their pins mark the real places the film points to.
Bond's final outing opens beside a lake in Norway and closes on an island in the Faroe Islands, with a long detour through southern Italy and a retirement in Jamaica in between. The story's geography is real: Matera's cave lanes, a bridge over the Gravina gorge, a railway station at Sapri, a waterfront house at Port Antonio, the Atlantic Ocean Road and the cliffs of Kalsoy.
The route follows the film's order — the frozen-lake flashback, the grave and the bridge, the Matera car chase, the farewell at Sapri, five quiet years in Jamaica and the 'Cuban' harbour that is really Port Antonio, then the Norway drive and the villain's island in the Faroe Islands. The beach house in Jamaica and the lake house in Norway were sets, both since dismantled.
Gotham is Chicago. The film shot most of Batman's city on real streets and buildings in the Loop, dressing them up as Gotham, then flew the crew to Hong Kong for its one overseas detour. This route follows The Dark Knight in order, from the bank heist that opens it to the rooftop where Batman and the Joker have their last fight.
Along the way: the disused post office that doubled as a bank, the glass office where Wayne holds a fundraiser, the financial street of the convoy chase, the hospital the Joker destroys, an old Chicago bar, the pier where two ferries wait, and Hong Kong's International Finance Centre.
In 1984 Ghostbusters sent three Columbia parapsychologists into the ghost-removal business, armed with proton packs and a converted firehouse. The film turned a handful of real New York addresses into a haunted city, from the marble reading room of the New York Public Library to the apartment block that becomes Spook Central.
Most of the exterior landmarks survive and can be visited, though the Sedgewick Hotel's interiors were filmed on the other side of the country, at a grand downtown Los Angeles hotel. This route follows the film's story from the first library ghost to the rooftop battle with Gozer.
Hill Valley is fictional, but almost all of it is Los Angeles. The 1985 film sends Marty McFly thirty years back to a small California town, and the filmmakers built its square on a studio backlot and dressed real malls, schools, churches and houses around the city as Hill Valley. This route follows the story from the Twin Pines Mall car park in City of Industry through 1955 and back to the McFly home in Arleta.
Each stop is a real place that played a piece of Hill Valley; the private homes are seen from the street only.
A feather drifts down onto a bench in Savannah, and a man starts to talk. His life unrolls across half a century of American history, from an Alabama childhood to the jungles of Vietnam, the Lincoln Memorial, the Watergate and a bayou shrimp boat.
This route follows the film in order, from the bench on Chippewa Square to the lighthouse in Maine and the desert where the running finally stops. It marks the real locations and the real stand-ins, since the fictional town of Greenbow and the Vietnam jungle were both played by South Carolina.
The second season of The White Lotus moves to a luxury resort in Sicily, following the staff and wealthy guests through a week of sightseeing days, villa parties and opera nights. Guests explore Taormina's Greek theatre, Daphne drags Harper down to Baroque Noto, and Tanya falls in with a wealthy Brit whose Palermo villa hides an ugly twist.
This route visits the real filming locations in episode order, from the San Domenico Palace hotel to the island beach of the finale. The show swaps two villas across the island: its Noto palace is really Villa Tasca outside Palermo, and Quentin's Palermo villa is Villa Elena near Noto.
The BBC's Sherlock Holmes and his flatmate, army doctor John Watson, solve crimes in present-day London, from a killer's phone traced to their own doorstep to a dominatrix with compromising photographs and a criminal who cracks the Crown Jewels from his mobile. Six stops follow the first three series in order: the 221B front door on North Gower Street, the Baker Street museum, a summons to Buckingham Palace, Moriarty's Tower heist, the hospital rooftop finale and a bomb under Parliament.
Most stops are London landmarks you can see from the street; the 221B door is a private house, and the palace, Tower, hospital and Parliament appear as the show's story settings.
