Catalog
24 routes found
Gilgamesh, king of Uruk, goes looking for the secret of immortality. This route follows the epic from its city to the Cedar Forest and the flood hero's home, then to the Nineveh library where the tablets were found. The poem's places are legend and the tablets' places are archaeology; each stop says which, and which pins are only candidates. The Iraqi sites are not visitor destinations.
Legend and archaeology meet at six places, from Agamemnon's citadel to Odysseus's island. Each stop is told from Homer's text, with what archaeologists have found kept apart and honestly labelled. The route follows the epic from the fleet at Aulis to the plain of the Scamander, then the Odyssey's road home via Pylos and Ithaca. Many identifications here are traditional or disputed, and the pins show it.
Finland's national epic was gathered, not invented: a country doctor named Elias Lönnrot walked into the forests of Karelia and wrote down what the old singers recited. The route follows his collecting trips from 1832 to 1834, from Viena Karelia to his home at Kajaani and the first draft at Kuhmo, then visits three places the runes name: the Imatra rapids, the island of Saari and the Kemi river. The poem's geography is loose, so the last two pins are marked as guesses.
In 1327 a Franciscan detective and his young novice arrive at a Benedictine abbey in northern Italy, and monks begin to die. Umberto Eco's abbey is invented, but it was assembled from real places, and Jean-Jacques Annaud's 1986 film built another one from sets and a German monastery. This route follows the borrowed pieces of the book, from the Sacra di San Michele to the portal at Moissac, then the places that played the abbey on screen. Pins for the book's models are traditional identifications, not locations named in the novel.
David Lean's 1962 epic follows T. E. Lawrence through the Arab Revolt, but most of its Arabia was built in Spain. Seville played Cairo, Jerusalem and Damascus, while Almería and a beach near Carboneras supplied the desert and a whole replica of Aqaba. The route follows the story's order and keeps history apart from the film's shooting locations. Stops say plainly whether they show what happened in 1917 or where the cameras stood.
On 16 September 1810 a parish priest in a small Mexican town called his parishioners to arms, and within weeks a vast, ill-armed army was marching on the capital. Miguel Hidalgo's revolt began Mexico's war of independence. The route follows it from the plot in Querétaro and the Cry of Dolores through the storming of the Alhóndiga in Guanajuato, the near-miss at Mexico City and the defeat at Calderón Bridge, to the ambush in Coahuila and the execution in Chihuahua. Violence is part of the story and is named plainly.
Two of Mexico's best-known painters married in 1929 and spent decades making art in one city: she in the family house where she was born, he on the walls of its palaces. The route runs from Frida's Blue House through Rivera's murals, the twin studio houses in San Ángel and the Trotsky house nearby, to the museum pyramid Diego built for his collection.
Jorge Luis Borges is the writer who turned a library into a metaphor for the universe, yet his own life ran through very real places in Buenos Aires: a poor Palermo childhood, a basement library job, and eighteen years as director of the National Library. This route follows him from his birthplace barrio and a famous café to the two library buildings he knew, with one fictional stop: the Calle Garay house where "The Aleph" sees everything at once.
Spain's oldest surviving epic poem follows Rodrigo Díaz, the Cid, from a humiliating exile out of Castile to the conquest of Valencia, and then to a trial in Toledo after his sons-in-law abandon his daughters. The route runs from Vivar and Burgos through Cardeña and Valencia to Corpes and Toledo. The poem and the historical Cid differ in many details, and the site of Corpes is disputed.
The novel was banned in the Soviet Union, so David Lean could not shoot his epic there. Instead he built Moscow in a field outside Madrid, turned the pine woods of Soria into the Urals and sent a second crew to the snows of Finland. The route follows the story in order, from the dam of the frame story to the ice palace at Varykino, and shows where each scene was really filmed. Most pins mark general areas, not exact camera spots.
Sound! Euphonium follows the Kitauji High School concert band, and its story is set in Uji, Kyoto. The route follows Kumiko's commute on the Keihan Uji Line, crosses Uji Bridge, joins the Agata Festival and climbs Daikichiyama for the view of town. The school itself is fictional, so the route pins a real station in its place.
Ridley Scott's 2005 epic follows Balian, a French blacksmith turned Baron of Ibelin, from his village to Messina, Jerusalem, Kerak, the desert defeat at Hattin and the siege that ends the film. Every stop pairs a scene with the place where it was shot, or with the real place the scene stands for. The film was made in Spain and Morocco, not the Holy Land, so the route moves between sets and history. Where the film departs from the record, the stop says so: the historical Balian was a prominent lord of the Kingdom of Jerusalem, not a French artisan.
The Old English poem Beowulf is set in Denmark and Sweden, and a surprising number of its kings, battles and halls turn up in Scandinavian sources and in the ground. Follow the hero from his Geatish homeland to Hrothgar's hall, then to the raid in Frisia, the royal mounds at Uppsala, and the English ship burial and library shelf where the poem survived. Most identifications here are traditional rather than proven, and the pins say so.
Fionn mac Cumhaill is the hero of Irish legend who gained all knowledge by burning his thumb on a salmon, saved Tara from a fire-breather and, in folk tales, built the Giant's Causeway to reach a Scottish rival. His stories are tied to real hills, rivers and rocks, many of them still named for him. The route follows his legend from the Boyne of his boyhood through Tara, the Hill of Allen, Slieve Gullion and Benbulben, then to the tall tales of Lough Neagh, the Causeway and Fingal's Cave. Nothing here is history: pins mark where tradition places each tale.
A dragon-slayer's hoard, two queens quarrelling at a cathedral door, a murder at a spring, and a revenge that takes thirteen years: the medieval epic of the Nibelungs is the great German tale of betrayal. Its first half is set around Worms on the Rhine, its second ends at the court of Etzel, king of the Huns. This route follows the story from Siegfried's home in Xanten to Worms, to the Odenwald, and then east along the Danube to Tulln and Pöchlarn. Several sites are local traditions, not proof; the poem itself is vague about most places.
Bohemia, 1403. Henry of Skalitz and Sir Hans Capon ride to Trosky Castle to find out which side Otto von Bergow is on, and the civil war between King Wenceslaus IV and King Sigismund drags them from the rocks of the Bohemian Paradise to the silver city of Kuttenberg, today Kutná Hora. The 2025 sequel by Warhorse Studios recreates its two big maps from real castles, villages and streets. The route follows the story from Trosky to the siege of Suchdol. The game's version of each place is a 1403 reconstruction, so look for the castle ruins and rebuilt keeps rather than the exact buildings Henry sees. The first game's story ends just before it, so this route picks up at Trosky.
Forza Horizon 5 drops the Horizon Festival into a fictionalised Mexico, on a map 50% larger than Forza Horizon 4's. Creative director Mike Brown calls Mexico almost the whole world in one country: snowy peaks, tropical jungles, epic canyons, beautiful beaches, ancient architecture and modern cities. This route visits seven real places the game recreates, from a sea arch at the tip of Baja to a canyon with a train, and says what the game does at each. The map is a condensed Mexico, so the pins mark the real sites, not their positions in the game.
A shy waitress at a Montmartre café staffed and frequented by eccentrics finds a metal box of childhood memorabilia hidden behind a bathroom tile and gets drawn into the lives around her: practical jokes on the nasty greengrocer Collignon, street scenes described aloud to a blind man, and a dropped photo album belonging to Nino, a collector of discarded photo-booth pictures. The route follows her Paris from the café on Rue Lepic to the photo booths of the Gare de l'Est and the blue arrows on the steps of the Sacré-Cœur, taking in skipping stones on the Canal Saint-Martin and a surge of love on the Pont des Arts along the way. Nearly every stop is a real place you can visit.
The Galar region is Britain played back as a game: a fictional land inspired by the United Kingdom, dotted with landmarks that recall Bath and York, crowned by a London of clock towers and football-stadium gyms. Eight gym cities, eight badges, and then the Champion's Cup in Wyndon, where Leon waits and the Darkest Day breaks. This route walks the real Britain behind that map, south to north and then beyond: a chalk giant, a lighthouse, Roman baths, a minster, a national stadium and a clock tower, plus the two downloadable lands, the Isle of Man and the snows of Scotland. Every identification is a fan or developer reading, never confirmed in the games, so every pin here is speculative.
Insomniac's Spider-Man games hand you a fictionalized modern-day New York and tell you to swing it. The first game maps Manhattan, from a sorcerer's doorstep in Greenwich Village to the square where a virus breaks out; the sequel adds Brooklyn and Queens, where Peter comes home to his late aunt's house and takes his friends to the amusements. This tour follows that arc in seven stops: a fictional mansion, three skyscrapers, an outbreak square, a Queens street and a Brooklyn funfair. Every pin marks the real place behind the mission, and almost all of them can be visited on one long subway day.
Puyi became emperor of China at the age of two, lost the throne at six, and spent the rest of his life being used by others: as a puppet emperor for Japan in Manchuria, then as a war criminal re-educated in a Communist prison, and finally as an ordinary citizen working in a Beijing garden. Bernardo Bertolucci's 1987 epic, which won all nine Oscars it was nominated for, was the first Western feature film allowed to shoot inside the Forbidden City. The route visits the real places of Puyi's life, most of them museums today. The film compresses and softens his story, and some of its scenes were shot in Italy.
Two branches of one royal family, the five Pandava brothers and their hundred Kaurava cousins, quarrel over the throne of the Kuru kingdom. The Pandavas survive a murder plot, win the princess Draupadi, build a splendid capital, lose everything in a rigged game of dice and spend thirteen years in exile before the families meet in an eighteen-day war at Kurukshetra. The Sanskrit epic, one of the longest poems ever composed, also holds the Bhagavad Gita. Northern India is dotted with places that tradition links to the story, several of them with real Iron Age remains. This route follows the Pandavas through those traditional sites. They are identifications of faith and local memory; archaeology has found ancient towns, but not the epic's events.
On the eve of his coronation, Prince Rama of Ayodhya is sent into the forest for fourteen years, so that his stepmother's son can rule. His wife Sita and brother Lakshmana go with him. In the forest Sita is carried off by Ravana, the demon king of Lanka, and Rama, helped by Hanuman and an army of vanaras, monkey-like forest people, crosses the sea to win her back. The Sanskrit epic attributed to Valmiki runs to some 24,000 verses and is still retold, staged and worshipped across South and Southeast Asia. For centuries pilgrims have tied its episodes to real places, from Ayodhya to the hills of Sri Lanka. This route follows those traditional identifications, which are matters of faith and local memory rather than archaeology. Most of the stops are living temples.
After ten years at Troy, Odysseus sets sail for his island home of Ithaca and takes another ten to get there: blown off course, he meets a man-eating Cyclops, a witch who turns his crew into pigs, the Sirens, Scylla and Charybdis and a nymph who will not let him go, losing every ship and every companion on the way. Homer's Odyssey, composed around the late 8th century BC, has been read as a map for as long as it has been read. Already in antiquity the poem's places were linked to real coasts, mostly around Sicily and southern Italy. Those identifications are traditions, not facts, and the ancient geographer Eratosthenes doubted them all — so most pins here are marked speculative.